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(both: ātyĕn`), or, Latinized,


(stĕf`ənəs), family of Parisian and Genevan printers of the 16th and 17th cent., distinguished through five generations in scholarship as well as in their craft.

The first of the line was Henri Estienne, d. 1520, who was by 1502 established as a printer in Paris. Before his death more than 100 books, some of them of great typographic beauty, had issued from his press. His foreman, Simon de ColinesColines, Simon de
, d. 1546, Parisian printer. He was associated with the elder Henri Estienne and continued his work. Colines used elegant roman and italic types and a Greek type, with accents, that was superior to its predecessors.
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, succeeded him and married his widow.

Some years later, probably in 1526, Henri's son, Robert Estienne, b. 1498 or 1503, d. 1559, took over his father's shop, and Colines then founded a new establishment. Robert, a capable scholar, devoted himself to printing only scholarly works, many of which he himself edited. He put out editions of classical authors, dictionaries and lexicons, and, more especially, critical editions of the Bible. He enjoyed the favor of Francis I and became king's printer for Latin, Hebrew, and Greek. The printer's mark used by him, the Olive Tree, was apparently designed by Geofroy ToryTory, Geofroy
, c.1480–1533, Parisian printer, typographer, and author, b. Bourges. After study in Italy, he won distinction as a professor in Paris and became editor to the printer Henri Estienne.
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, who is said to have been a proofreader for the elder Estienne; some of the Estienne types were designed by Claude GaramondGaramond, Claude
, 1480–1561, Parisian designer and maker of printing types. According to tradition he learned his art from Geofroy Tory. Types designed by Garamond were used in the printeries of the Estienne family, Colines, Plantin, and Bodoni, and types used by the
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. Robert Estienne, a thorough humanist, upheld the cause of the Reformation.

Long-continued attacks upon him by the faculty of the Univ. of Paris and by political opponents of the king caused him to move to Geneva in 1550. He set up a press there and continued to print books until his death. His own Latin dictionary, Thesaurus linguae Latinae (1531), probably compiled with the aid of other scholars, is a monumental work. His grammatical treatises on French are also of great importance.

One of Robert's brothers, François Estienne, d. 1553, was of minor importance as a bookseller, but another brother, Charles Estienne, c.1504–1564, succeeded Robert in the management of the Paris establishment in 1551. Educated in medicine and skilled in classical learning, Charles wrote many works on medicine, agriculture, and other subjects. A number of his books were printed by his brother, Robert, and by his stepfather, Colines. Among his best-known works are an encyclopedia, one of the earliest appearing in France, a treatise on dissection, and Praedium rusticum, which appeared later in English editions.

The second Henri Estienne, 1531?–1598, the greatest scholar of the family, was one of Robert's sons. He inherited his father's press on the express condition that it should not be moved from Geneva. He was a well-trained scholar and devoted years to searching for manuscripts. Although humanism was far advanced, he, nevertheless, discovered numerous works of classical authors of which he issued first editions. His editions of Greek and Latin works are remarkable for their accuracy and textual criticism. The greatest monument to his scholarship is, perhaps, his Thesaurus Graecae linguae (1572).

Henri also championed the use of the French language and wrote valuable treatises on the French tongue and on French grammar; the most important is La Precellence du langage françois (1579), in spite of its gross errors in philology. His satirical Apologie pour Herodote (1566) brought him trouble with the Consistory of Geneva, and after the publication of Deux Dialogues du nouveau langage françois italianizé (1578) he went to France to escape censure in Geneva. He was imprisoned for a short time on his return and afterward became a wandering scholar. The books he printed did not equal those of his father in typographic beauty. He marks, however, the highest point of the family's career, although the Estiennes continued prominent as printers until late in the 17th cent.


See M. Pattison, The Estiennes (1949).



(also Etienne; latinized, Stephanus), a family of French printers and publishers who worked in Lyon, Paris, and Geneva between 1502 and 1660.

The founder of the Estienne firm was Henri I Estienne (born c. 1460; died 1520). The most prominent members of the firm were also outstanding philologists. Robert I Estienne (born 1503; died 1559) compiled and published the Thesaurus of the Latin Language (vols. 1–2, 1531) and Latin-French and French-Latin dictionaries. His son Henri II Estienne (born 1528 or 1531; died 1598) compiled the Thesaurus of the Greek Language (vols. 1–6, 1572–73) and published annotated editions of many works by Latin and Greek authors. The Estiennes published more than 1,-500 books, and they introduced the excellent Greek typefaces known as the grecs du roi.


Renouard, A. A. Annales de l’imprimerie des Estienne, 2nd ed. Paris, 1843.
References in periodicals archive ?
When I was studying at Ecole Estienne and working on Devanagari, I met a student who was working in Paul Colin's studio.
Against this corpus of demonological writings, Pearl usefully examines the "adversaries of political demonology"-- including Michel de Montaigne, Estienne Pasquier, and, somewhat surprisingly, Jean Bodin.
Estienne distinguishes between Jewish and non-Jewish sources by a system of signs and invites the reader to decide for himself which reading is to be preferred in each case.
The music comes to us courtesy of 14th-, 15th-, and 16th-century composers such as Orlando di Lasso, Guillaume Dufay, Estienne Dutertre, Clemens non Papa, Philippe Rogier, Philippus de Monte, and others.
Student Catriona, 24, kept the placenta in her freezer after son Estienne was born.
Important musicians from the south directed the choir school at Saint-Trophime, including Francois Estienne (1671-1755), from 1694 to 1696, and the young Andre Campra (1660-1744), from 1681 to 1683.
He received a bachelor's degree in graphic design from Besancon and later graduated from the renowned type workshop at the Ecole Estienne in Paris.
It has now secured the UK premiere of this remarkable new work - co-written and directed by Marie-Helene Estienne - bringing performers Kathryn Hunter (Kafka's Monkey), Marcello Magni (Fragments) and Jared McNeill (The Suit), to Coventry.
Therefore, anyone designing a sound map must ignore the arbitrary chapter (first introduced by Stephen Langston in 1226) and verse (introduced by Robert Estienne in 1551) indicators in their Bibles.
Having studied at the Atelier Met de Penninghen and at the Estienne school in Paris, Bakhoum's rigorous academic background has not thwarted her from painting with technical freedom or ease.
Pizzorno begins with three famous sixteenth-century paradox books: Ortensio Lando's Paradossi cioe sentenze fuori del comun parere (1543); Charles Estienne's Paradoxes (1553), a partial translation of Lando; and Anthony Munday's The Defence of Contraries (1593), a partial translation of Estienne.