Fats Domino


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Domino, Fats

(Antoine Dominique Domino, Jr.), 1928–2017, American rhythm-and-blues singer, pianist, and songwriter of Creole descent, b. New Orleans, La. A largely self-taught musician, he began playing professionally in a Desire St. club band in his teens, which was when he was nicknamed Fats and when he adopted his signature 6/8 hammered triplets. In the 1950s and 60s he was one of the creators of rock musicrock music,
type of music originating in the United States in the mid-1950s and increasingly popular throughout much of the world. Origins of Rock

Essentially hybrid in origin, rock music includes elements of several black and white American music styles: black
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; his million-selling breakthrough hit, "The Fat Man" (1949), is regarded as one of the first rock-and-roll recordings. The genial Domino became one of the most popular early rock-and-roll stars and one of the top recording artists of the period, with 23 gold records; many of his hits became rock standards and were widely covered. Domino also played a role in breaking down America's musical color bar. Playing the piano in a vigorous boogie-woogie style, often with bass, guitar, drums, and saxophone accompaniment, he crossed over to the pop charts in 1955 with his recording of "Ain't That a Shame." Other best-selling singles include his biggest hit, "Blueberry Hill" (1956), as well as "My Blue Heaven" (1956), "I'm Walkin'" (1957), "Blue Monday" (1957), "I Want to Walk You Home" (1959), "Walkin' to New Orleans" (1960), and his 1968 cover of the Beatles' "Lady Madonna," his last Top 100 hit. He toured worldwide until the early 1980s, when, aside from festivals, he confined his performing almost exclusively to New Orleans. During his long career, he often worked and wrote with the bandleader and songwriter Dave Bartholomew. Domino was inducted into the Rock and Roll Hall of Fame in 1986, was awarded a lifetime-achievement Grammy in 1987, and received the National Medal of Arts in 1999.

Bibliography

See R. Coleman, Blue Monday: Fats Domino and the Lost Dawn of Rock 'n' Roll (2007); J. Lauro, dir. The Big Beat: Fats Domino and the Birth of Rock 'n' Roll (documentary, 2016).

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Fats Domino at the Saville Theatre, London, on March 27, 1967
Let's face it: I can't sing it like Fats Domino can.
The post Fats Domino, rock 'n' roll pioneer, dead at 89 appeared first on Cyprus Mail .
BIRTHDAYS: Fats Domino, R&B singer/pianist, 85; Sandie Shaw, singer, pictured, 66; David Edgar, playwright, 65; Helen Clark, former New Zealand prime minister, 63; Shane Williams, Welsh rugby player, 36; Corinne Bailey Rae, singer/ songwriter, 34.
ICAN still hear the captivating melody and feel the compelling rhythms of Blueberry Hill by Fats Domino drifting up from the garage where mom and dad were holding a party.
A show featuring the music of Fats Domino is in the works.
Fats Domino, R&B singer/pianist, 84; Sandie Shaw, singer, 65; David Edgar, playwright, 64; Helen Clark, former New Zealand prime minister, 62; Michael Bolton, singer/songwriter, 59; Erykah Badu, singer/actress, 41; Shane Williams, left, Welsh rugby player, 35; Corinne Bailey Rae, singer/songwriter, 33.
References to Matisse and Pollock, as well as to Fats Domino and Brigitte Bardot, animate a distinct body of work that is as cool, calm, and collected as van Golden himself.
But even after 15 minutes, when visitors might reasonably expect a timed automated request to leave, the music, including Charlie Pride's 'When We Get Behind Closed Doors', 'Walking After Midnight' by Patsy Kline and the Fats Domino hit 'Blueberry Hill' keeps on playing.
Bill Wyman's Rhythm Kings, The Stones, Abba, Fats Domino, Chuck Berry and The Beach Boys.
They discuss why so many musicians come from New Orleans, the culture that cultivated musical talent, the tradition of musical families in the city like the Marsalises and the Lasties, and the importance of neighborhoods and kinship lines, clubs and bars, oral traditions and rituals, as well as the contributions of musicians like Professor Longhair, Fats Domino, Huey Smith, Guitar Slim, Allen Toussaint, Dave Williams, Harry Connick Jr.
C'est lui qui constitue l'horizon a l'aune duquel il devient possible pour tous de s'introduire dans la musique a egalite, et celui-la meme qui esquisse un trait commun entre toutes les figures qui s'en emparent, de Fats Domino a Marcia Ball en passant par Eastwood lui-meme.