Fernand Crommelynck

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Fernand Crommelynck
BirthplaceParis, France
Nationality Belgium

Crommelynck, Fernand


Born Nov. 19, 1888, in Paris; died Mar. 18, 1970, in St. Germaine-en-laye, the department of Seine-et-Oise. Belgian dramatist. Wrote in French.

Crommelynck’s early works showed the influence of symbolism. E. Verhaeren, his literary mentor, recommended Crommelynck’s play The Sculptor of Masks (1908) to his Russian friends, and K. D. Balmont published it in translation in the journal Vesy (Scales) in 1909. It was later performed in French in 1911. Crommelynck’s most important work is the comedy The Splendid Cuckold (1921; Russian translation by I. A. Aksenov, staged by V. E. Meyerhold in 1922, published 1926), a tragic farce that ridicules jealousy. The characters in his other plays are tragic fools who embody the “eternal” principles of love, jealousy, and miserliness. Crommelynck’s play Gold in the Guts (staged 1925, published 1930; Russian translation by Aksenov, staged 1926) is a grotesque satire on avarice.


Théâtre, vols. 1–3. [Paris, 1967–68.]
Les Amants puérils. [Paris] 1956.
Chaud et froid. Une Femme qui a le coeur trop petit. Paris [1956].


Il’inskii, I. Sam o sebe. Moscow, 1973.
Berger, A. A la rencontre de F. Crommelynck. Liège, 1946.
References in periodicals archive ?
Compare these claustrophobic exercises, which feel as if they were executed by someone who believed in abstraction as a kind of duty but who held none of the high-flying beliefs in its benefits (which fired Malevich or Kandinsky), with what I think of as Popova's masterworks, her brilliant costume designs for Meyerhold's production of Fernand Crommelynck's The Magnanimous Cuckold of 1922.
Essentially an expressionist, he was influenced by Fernand Crommelynck (1885?