Ferruccio Benvenuto Busoni

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Busoni, Ferruccio Benvenuto

 

Born Apr. 1, 1866, in Empoli, near Florence; died July 27, 1924, in Berlin. Italian composer, conductor, teacher, and writer on music.

Busoni was born into a musical family; his father was a clarinetist, and his mother a pianist. From the age of 15 he was a member of the Bologna Philharmonia Academy. Busoni won the prize for composition at the First International A. G. Rubinstein Competition (St. Petersburg, 1890). During the years 1888-90 he taught at the Helsingfors (Helsinki) Conservatory and in 1890-91 at the Moscow Conservatory. From 1920 he was a professor of composition at the Berlin School of Music and also a member of the Academy of Arts. He toured Russia, making his last appearances in 1912 and 1913.

Busoni composed four operas, including Turandot (staged in Zürich in 1917), a piano concerto (1904), the Fantasia Contrapunctistica for two pianos (1922), two sonatas for violin and piano, a symphony, instrumental chamber music, and other works. Busoni’s editions and transcriptions are widely known, especially those of J. S. Bach and F. Liszt.

Busoni’s opinions on music found expression in numerous articles and in his book, An Essay on a New Aesthetic of the Art of Music (1907; Russian translation, 1912).

Among Busoni’s students were the pianists G. N. Be-klemishev, A. Brailovskii, E. Petri, and Iu. Turchin’skii and the composers N. Nabokov and Ph. Jarnach. Since 1949 the International Busoni Piano Competition has been held annually in Bolzano (Italy).

WORKS

Briefe an seine Frau. Leipzig, 1935.

REFERENCES

Barinova, M. N. Vospominaniia o I. G of mane i F. Buzoni. Moscow, 1964.
Kogan, G. Ferruchcho Buzoni. Moscow, 1964.
Kogan, G. “D. Al’ber, Buzoni i sovremennost’.” Sovetskaia muzyka, 1967, no. 1.
Dent, E. J. F. Busoni. London, 1933. (Contains music scores and a bibliography).
Debusmann, E. F. Busoni. Wiesbaden, 1949. (Contains music scores and a bibliography.)
References in periodicals archive ?
This responsibility was taken by Hugo Leichtentritt who was introduced to Gatti by Ferruccio Busoni (7), a composer neglected in his homeland but strongly supported by Gatti, who published articles by Busoni in Il Pianoforte.
Ferruccio Busoni, introduction to The Well-Tempered Clavichord by Johann Sebastian Bach (New York: G.
13) Ferruccio Busoni, Sketch of a New Esthetic of Music, in Three Classics in the Aesthetic of Music (New York: Dover, 1962), pp.
They include, beside images of Cassirer himself (by Kalckreuth and Beckmann) and of the irrepressible Tilla Durieux, his second wife (by Corinth and Max Oppenheimer), portraits of Peter Hille, Julius Maier-Graefe, Karl Kraus, Heinrich Mann, Rene Schickele, Ferruccio Busoni, Richard Strauss, and Ernst Bloch.
They both revered Ferruccio Busoni as their most important mentor and worked with concepts of actions and spatial processes.
Shorter pieces are by Ferruccio Busoni, who died in 1924 at the age of 58, having had a distinguished career as a pianist and composer.
The composer Ferruccio Busoni (1866-1924) was of mixed Italian-German parentage, but his life and career was spent largely in Berlin.
Three Pieces for Het, set to music of Ferruccio Busoni, Erkki-Sven Tuur, and Part, is a clear, abstract piece consistent with the body of his work.
481-530) by an eclectic range of figures: Hector Berlioz, Leonard Bernstein, Pierre Boulez, Hans von Billow, Ferruccio Busoni, Claude Debussy, Wilhelm Furtwangler, Franz Liszt, Anne-Sophie Mutter and Andre Previn, Elly Ney, Ralph Vaughan Williams, and Richard Wagner, and an "Anhang" (or appendix) that includes a bibliography of works cited; a brief catalog of Beethoven's orchestral music; indexes of personal names, of Beethoven's works, and of works by other composers; and biographical sketches of the fifteen contributors.
It brings to life, through countless quotes, anecdotes and actual musical examples, the work of the legendary pianist, Ferruccio Busoni.
Recordamos uno donde se presento el propio Enriquez al violin acompanado ai piano por el maestro Jorge Velasco, con la sonata de Ferruccio Busoni (1866-1924)y otras obras.
He traces the development of pianistic culture from Frederic Chopin through Franz Liszt to Ignaz Paderewski, with intriguing sojourns into the careers of figures as diverse as Anton Rubinstein, Sigismond Thalberg, Vladimir de Pachmann, Theodor Leschetizky, Josef Hofmann, Moriz Rosenthal, and Ferruccio Busoni, along with possibly less-remembered names such as Friedrich Kalkbrenner and Malwine Bree.