Filippo Juvarra


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The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Juvarra, Filippo

 

(also F. Juvara). Born Mar. 27, 1678, in Messina; died Feb. 1, 1736, in Madrid. Italian architect.

Juvarra studied in Rome between 1703 and 1714 under C. Fontana. He worked in Messina in 1714 and primarily in Turin from 1714 to 1735; in 1719 and 1720 he designed a palace in Portugal. In 1735 he moved to Madrid. Juvarra’s works in Turin include the facade and staircase of the Palazzo Madama (1718–21), the reconstruction of the Palazzo Reale (1720–21), and the Church of Santa Maria del Carmine (1732–36). He is also known for the majestic Superga monastery and church complex (1715–31) and for the hunting lodge at Stupinigi (1729–34), both of which are located near Turin.

In his works Juvarra combined features of the late baroque (and partially of the rococo) with the tendency toward classically clear forms and rectilinear layouts that was characteristic of early 18th-century Italian architecture.

REFERENCE

Rovere, L., V. Viale, and A. E. Brinckmann. Filippo Juvarra. Milan, 1937.
The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
References in periodicals archive ?
As work began to restructure the great royal castle outside Turin, designed by Filippo Juvarra, as a museum in the late 1960s, so Cerruti started to construct the modest villa--just along the hilltop of Rivoli, and practically in the shadow of the castle's famous Manica Lunga--that would come to house one of the greatest private collections assembled in post-war Italy.
With the most notable pieces of furniture, there is a strong sense of things being returned to their place: Cerruti's acquisitions in this field included a late 18th-century ivory-inlaid bureau-cabinet by the great Torinese ebeniste, Pietro Piifetti, formerly in the collection of Lord Ashburton, and two sofas designed by Filippo Juvarra, the architect of Castello di Rivoli.
Guarino Guarini laid the foundations in 1678 and Filippo Juvarra designed the altar 50 years later.
He seated Filippo Juvarra, Baroque pioneer of illusionistic perspectives for theater sets and designer of basilicas, at a draftsman's desk beside Michael Graves, architect of Disneyland's resort hotels, and left them to foment an unholy mix of elegant piazzas and pyramid-topped dwellings glowing a sickly yellow.
Su primera frase (si dejamos al margen presentaciones, dedicatorias, agradecimientos etc.) es una afirmacion terminante: "El teatro a la italiana es introducido en Madrid por el arquitecto italiano Filippo Juvarra en el siglo XVIII" (17).
Filippo Juvarra was the architect for the new palace and when it was finished it was beautiful enough for the Spanish Bourbons to proclaim: "This is my house and my spirit."
267), but worse is the neglect of Filippo Juvarra, who is scarcely mentioned, and Guarino Guarini, who does not appear at all.
The exhibition began in the vast basement with a series of portraits of the figures who created Venaria: everyone from Carlo Emanuele n to Vittorio Amedeo n, who commissioned a huge extension by the Sicilian architect Filippo Juvarra after the palace's partial sacking by French troops in 1700.
10) designed by Filippo Juvarra for the formidable 'Duchess-mother', Maria Giovanna Battista of Savoy-Genevois-Nemours (1644-1724), the second 'Madama Reale' (Fig.
One unlooked-for benefit from the coronation of Vittorio Amedeo II and Anne-Marie in Palermo on 24 December 1713 was the employment of Filippo Juvarra, born in Messina.
The sequence of rooms executed by Domenico for the duchess remained, however, without an architectural envelope, until, very late in her life, Maria Giovanna Battista rapidly engaged the Messina-born Filippo Juvarra, invited to Turin following Vittorio Amedeo II's coronation as King of Sicily in Palermo in 1713, to create the imposing facade and the even more impressive staircase of her palace.