exposure latitude

(redirected from Film contrast)

exposure latitude

[ik′spō·zhər ‚lad·ə‚tüd]
(graphic arts)
The limits of film exposure within which there is no significant effect on the quality of the image.
McGraw-Hill Dictionary of Scientific & Technical Terms, 6E, Copyright © 2003 by The McGraw-Hill Companies, Inc.
References in periodicals archive ?
Some built-in, automatic quality control systems are capable of calibrating the electronics, thus ensuring consistent film contrast and density without operator intervention.
Ambient light reflects off the surface of the mammogram and reduces the density levels the human eye can see.[5] As much as 30% of the film contrast value can be lost to the human eye with as little as 50 lux of room lighting.
The film contrasts the life of chef Julia Child in the early years of her culinary career with that of young New Yorker Julie Powell.
The film contrasted footage of the Blond Ambition show with black-and-white backstage scenes that blew apart the mystique surrounding global superstardom.
The film contrasts Southeast Asia's rich hub with the exploitation of impoverished migrant workers.A thriller/love story about modern slavery and a migrant Chinese construction worker who vanishes in Singapore has won the Golden Leopard ("Pardo d'oro") for best film at the Locarno Film Festival in the Italian-speaking Swiss resort popular for its outdoor screenings.
LAHORE: The first official trailer of the much-anticipated film Arth The Destination released on October 20.The movie has been in hype for quite a while now, for the reasons that it is going to be Shaan Shahid's first ever musical film contrasted with romance.
The film contrasts the impetuosity of hormone-addled youth with the resignation of retirement, laced with gentle humour.
This film contrasts the humble life of a poor Peruvian farmer with the global significance of his traditions.
BACK TO THE FUTURE Chris's film contrasts old Glasgow with city today.
Lightweight for on-shoulder portability, the Z-HD6000 features realtime lens aberration correction (RLAC) along with versatile scene and lens features, ultra-gamma for film contrasts and a 12-vector and linear matrix masking allowing for changing hue- and saturation-levels.
The film contrasts the force of the Chinese military, its immensity and purpose, with that of the unprepared Indian army, ill-equipped and outnumbered, lacking in strategy.