Francesco Cavalli


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Cavalli, Francesco

 

(real name, Pietro Francesco Caletti). Born Feb. 14, 1602, in Crema; died Jan. 14, 1676, in Venice. Italian composer. Son and pupil of a cathedral choirmaster in Crema.

Cavalli completed his musical education in Venice, where he lived from 1616. In 1617 he became a singer (tenor), at St. Mark’s Basilica, and then its organist and conductor. He wrote church music (notably his Requiem), but basically he composed operas and was a leading master of the Venetian school. He wrote 42 operas, including The Marriage of Teti and Peleo (1639), Didone (1641), Jason (1649), Xerxes (1654), and Mutio Scevola (1665). Almost all his operas were commissioned by Venetian theaters.

REFERENCES

Kretzschmar, H. Istoriia opery. Leningrad, 1925. (Translated from German.)
Rolland, R. Opera v XVII veke v Italii, Germanii, Anglii. Moscow, 1931. (Translated from French.)
Prunières, H. Cavalli et l’opéra italien au XVII siècle. Paris, 1931.
References in periodicals archive ?
Francesco Cavalli, a Venetian organist, composer and maestro di cappella at San Marco, signed his name to dozens of operas of which La Calisto is number 23.
Francesco Cavalli. La Calisto: Dramma per musica by Giovanni Faustini.
The fourteen-track album, available on Amazon and iTunes, includes 'Lasciatemi morire,' the only surviving remnant of Claudio Monteverdi's 1608 Arianna, and recognized as opera's first hit, and Francesco Cavalli's 1649 'Delizie Contente' from Giasone, the most popular opera of the 17th century.
Only it was written as long ago as 1667 by Francesco Cavalli and focused on the bizarre, brief reign of the little-known Roman emperor Heliogabalus, a sex-obsessed, cross-dressing teenager who made Caligula look like a model ruler.
A Wooster Group production of an opera in one act after "La Didone" by Francesco Cavalli and Giovanni Francesco Busenello.
In Boston's 1999 season, the festival's artistic directors produced the even more influential (though musically duller) Ercole Amante (Hercules in Love), written in Italian and composed by Francesco Cavalli, dating from 1672.
The composers responsible for the earliest operas included Francesco Manelli, Benedetto Ferrari, Francesco Cavalli, Francesco Sacrati and Claudio Monteverdi, nearly all of whom were involved, during this initial stage, in not only the composition but also the production of their works.
The date of Francesco Cavalli's election as an organist at St Mark's is given, according to the more Veneto, as 1639 (pp.
The subjects chosen by such early operatic composers as Jacopo Peri, Jacopo Corsi, Francesco Cavalli, and Claudio Monteverdi were the ancient myths about figures like Daphne, Ulysses, and Orpheus.
This is how we are introduced to the title character of Francesco Cavalli's 1649 opera--one of the great operatic successes of the seventeenth century--in this 2010 production from Antwerp's Vlaamse Opera.
Through the efforts of such conductors as Raymond Leppard in the 1960s and, more recently, Rene Jacobs, Francesco Cavalli's operas have gradually been rediscovered by modern audiences.
Concerto Palatino's new recording of Francesco Cavalli: Vespro della beata Vergine (Harmonia Mundi, HMC 905219.20, rec 1994) is much more straightforward in its attempts at reconstruction.