François Boucher

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The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Boucher, François

 

Born Sept. 29, 1703, in Paris; died there May 30, 1770. French painter. Brilliant representative of the rococo artistic movement.

Boucher became a member of the Royal Academy of Painting and Sculpture in Paris in 1734 and its director in 1765. He was “first painter to the king.” His style took shape under the influence of A. Watteau, and he began his work by engraving Watteau’s pictures. Boucher painted ceilings, wall panels, pictures with mythological, pastoral, and genre scenes, smartly coquettish portraits, and idealized landscapes (View of the Environs of Beauvais; Hermitage, Leningrad). He made sketches for the manufacture of tapestries at Beauvais and for theatrical decor, and engravings for books. In Boucher’s warm and color-saturated pictures painted during the 1720’s and 1730’s, there are noticeable echoes of Flemish art (Hercules and Omphale; Pushkin Museum of Fine Arts, Moscow). His later works, with an abundance of pink and light-blue shades, sinuous, weaving lines, and complex foreshortenings, intensify the rococo traits of decorativeness, eroticism, affected grace, and a porcelain, china-doll quality of the figures (Diana Leaving the Bath, 1742; Louvre, Paris).

REFERENCE

Nolhac, P. de. Boucher.… Paris, 1925.
The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
References in periodicals archive ?
En la Seccion Especial de Agroalimentaria, dedicada a los sistemas alimentarios localizados (SIAL), se incluyen cinco articulos, cuya presentacion en extenso la realiza el prestigioso especialista Francois Boucher (Editor Invitado-Coordinador de la misma, con la colaboracion de Jose A.
More perplexing is A Dancing Shepherdess, by Francois Boucher (1703-70), bought at a closely contested auction in Toronto for $450,000.
Representing a wide range of artistic schools, the selection includes works by famous artists--such as Vittore Carpaccio, Raffaello Sanzi (known as Raphael), Andrea del Sarto, Francesco Mazzola (known as Parmigianino), Rembrandt van Rijn, Giovanni Antonio Canal (known as Canaletto), Claude Lorrain, Jean-Antoine Watteau, Jean-Baptiste Simeon Chardin, Francois Boucher, Jean-Honore Fragonard, Francisco Jose de Goya, Theodore Gericault, Eugene Delacroix, Edouard Manet, Edward Burne-Jones, James Whistler, Edgar Degas, Paul Cezanne, Odilon Redon, Pierre-Auguste Renoir, Paul Gauguin, Vincent van Gogh, Jean Auguste Dominique Ingres, and Georges Seurat--as well as superb and poignant drawings by lesser-known artists.
Gaskell adopts a similar device in North and South, where the name of Boucher possibly activates a reference to Francois Boucher (1703-1770), the sentimental French Rococo painter.
That painting, The Toilette of Venus by Francois Boucher, was originally commissioned by Madame de Pompadour for a country chateau and completed in 1751.
An exhibition planned to coincide with the centenary of the Entente Cordiale between England and France, and the birthday of the French artist Francois Boucher, who painted sensual gods and goddesses for King Louis XV and his mistress Madame de Pompadour: Boucher's romantic, idealistic paintings will be compared and contrasted with images by his British contemporaries including Joshua Reynolds.
The orphaned son of a wealthy Paris family, David went on to study art, first under distant relative Francois Boucher, then under gifted teacher and rococo painter Joseph-Marie Vien.
A number of different artists painted her: Francois Boucher, Maurice-Quentin de La Tour, Cane Vanloo, Francois-Hubert Drouais.