Franz Joseph Haydn

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Haydn, Franz Joseph


Probably born Mar. 31 (christened Apr. 1), 1732, in the village of Rohrau, Lower Austria; died May 31, 1809, in Vienna. Austrian composer; a representative of the Viennese classical school. Son of a wheelwright.

From 1740 to 1749, Haydn was a choirboy at St. Stephen’s Cathedral in Vienna, where he also learned to play several instruments. For a time he was accompanist to N. Porpora, an Italian composer and voice teacher. Haydn made up for the lack of a methodical musical education by studying the musical compositions of his predecessors and the theoretical works of J. Fux, J. Mattheson, and others. In the 1750’s, Haydn wrote a number of compositions which established his reputation as a composer: the comic opera Der krumme Teufel (performed in 1752 in Vienna and other Austrian cities), divertimenti and serenades, and string quartets for the musical circle of Count Fürnberg. From 1759 to 1761 he was Kapellmeister in the court of Count Morzin, for whose orchestra he composed his first symphonies. From 1761 to 1790 he served the Hungarian princes Esterházy. The whims of his patron often forced Haydn to part with his artistic freedom. Nevertheless, working with the orchestra and choir of which he was the director had a beneficial effect on his development as a composer. Haydn wrote the majority of his symphonies (including the famous “Farewell” Symphony, 1772) and operas for Esterházy’s orchestra and theater. Haydn’s trips to Vienna gave him an opportunity to associate with his most prominent contemporaries, in particular, W. A. Mozart. Haydn’s artistic creativity reached its height during the 1780’s and 1790’s, when the mature quartets (beginning with Opus 33), the six Parisian (1785-86) and 12 London (1791-92, 1794-95) symphonies, the oratorios, masses, and many other works were composed. In 1791-92 and 1794-95, Haydn journeyed to London at the invitation of the violinist J. P. Salomon, organizer of the Concert Series. The visits to England broadened Haydn’s horizons and contributed to the growth of his fame. In 1791 he was awarded an honorary doctorate by Oxford University.

Together with C. W. Gluck and W. A. Mozart, Haydn consolidated the characteristic qualities of the Viennese classical school: devotion to optimistic ideals, a synthesis of intellectual and emotional elements, and the dialectical correlation of diversity and wholeness, which made possible the flourishing of the cyclical instrumental forms (symphonies, quartets, sonatas). Haydn’s art is profoundly democratic and linked with folk culture. His music is filled with the rhythms and intonations of Austrian, Slavic, and Hungarian folklore, with folk humor, and with inexhaustible vital energy. Symphonies and string quartets occupy the central place in Haydn’s work. If Haydn developed and perfected the work of his predecessors in the area of the symphony, he was a trailblazer in the field of the quartet. The mature works of Haydn are distinguished by a combination of simplicity and richness, naïve directness of feeling and sober logic of thought, boundless zest for life and wise philosophical contemplation. The philosophical moods of some of Haydn’s compositions anticipate the work of Beethoven, whom Haydn also foreshadows in the purposeful use of thematic development. A special place in Haydn’s legacy belongs to his oratorios—The Creation (1798) and The Seasons (1801)—in which the composer developed the lyrical-epic tradition of G. F. Handel’s oratorios. Haydn’s oratorios are marked by a rich lifelike character and the colorful expression of natural phenomena, both of which were new to that genre; they show Haydn to be a masterful colorist.

Haydn composed 24 operas, chiefly in the style of the Italian opera buffa and opera seria; three oratorios; 14 masses and other sacred works; 104 symphonies; overtures; marches; dances; divertimenti for orchestra and various instruments; concerti for clavier and other instruments; 83 string quartets; 41 piano trios; 21 string trios; 126 trios for baryton, viola, and cello and other ensembles; 52 clavier sonatas; assorted clavier pieces; songs; canons; and vocal arrangements of Scottish, Irish, and Welsh songs with piano accompaniment (or violin or cello if desired).


Gesammelte Briefe und Aufzeichnungen. Edited by D. Bartha. Kassel, 1965.


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Geiringer, K. Haydn: A Creative Life in Music. New York, 1963.


References in periodicals archive ?
Desde su debut como cantante en La creacion de Franz Joseph Haydn (1732-1809) en 1958, y luego en La Boheme de Giacomo Puccinni (1858-1924), ha sido merecedor de varios homenajes y distinciones.
Artists who have recorded with Nimbus range from the veterans Vlado Perlemuter, Shura Cherkassky, and Hugues Cuenod, to the Hanover Band playing Franz Joseph Haydn and Ludwig van Beethoven on original instrument, John Wallace and his "Wallace Collection" of virtuoso brass players, and the Medici Quartet.
Nacido en el seno de una familia humilde y poseedor de una voz hermosa, Franz Joseph Haydn (1732-1809) recibio de su padre las primeras ensenanzas musicales, y antes de cumplir los nueve anos de edad pertenecia ya al coro de la Catedral de San Esteban, lo que le ayudo a perfeccionar sus conocimientos.
The other star of the concert at Huddersfield Town Hall on Friday March 13 is the symphonic composer Franz Joseph Haydn.
Con Jesus Medina en la batuta titular desde 2002, la OCBA se encuentra ofreciendo su segunda temporada de este ano con una oferta musical que incluye, por ejemplo, obras de Franz Joseph Haydn (17321809) y Georg Friedrich Haendel (1685-1759) rememorando sendos aniversarios luctuosos, hasta piezas producidas por oficio e imaginacion de compositores contemporaneos.
Although his first name was pronounced Hayden rather than in the manner of the great Franz Joseph Haydn, it was Austria's famous musical son who was the inspiration.
1809 Franz Joseph Haydn,Austrian composer, died in Vienna.
44 en mi bemol de Franz Joseph Haydn (1732-1809), Adagio y fuga de Wolfgang Amadeus Mozart (17561791), y el estreno mundial del Concierto para violin de Dimitri Dudin (Ekaterinburgo, 1965).
As far as that goes, the only composer on the program, Franz Joseph Haydn, apparently was equally keen on his new work when he composed the nearly two-hour piece, an epic oratorio known colloquially as "The Creation.
March 19, 2015: "Alexander Nevsky," plus Giuseppe Verdi and Franz Joseph Haydn, with Sharon Paul and the Eugene Symphony Chorus