Franz Marc


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Marc, Franz

 

Born Feb. 8, 1880, in Munich; killed Mar. 4, 1916, at Verdun. German painter.

Marc studied at the Munich Art Academy in 1900-02 under G. Hackl and W. von Diez. In 1903, 1907, and 1912 he visited Paris. He was influenced consecutively by modernism, cubism, and futurism. In cooperation with W. Kandinsky and A. Macke he organized the Blue Rider artists association in 1911; in 1912-14 he was one of the leaders of early expressionism. The main theme of Marc’s painting, to which he attributed a mystical symbolic meaning, was the depiction of animals in their natural setting. His ecstatic images, dynamic in form and with sharply outlined drawing and a tense color scheme (several basic colors), reflected a spontaneous rejection of contemporary reality and a presentiment of social upheavals (The Tower of Blue Horses and The Fate of Animals, 1913, Public Art Collection, Basel). Continuing further in his distortion of nature, Marc displayed an affinity for abstract art (Fighting Forms, 1914, Municipal Gallery, Munich). During the period of fascism Marc’s works were removed from museums.

WORKS

Iz statei 1911-1914 godov. [Preface by B. A. Zernova.] In Mastera iskusstva ob iskusstve, vol. 5, book 2. Moscow, 1969.
DerBlaue Reiter. Published by W. Kandinsky. Munich, 1912; 2nd ed. Munich, 1914.
Briefe, Aufzeichnungen und Aphorismen, vols. 1-2. Berlin, 1920.

REFERENCES

Lankheit, K. Franz Marc. … Cologne, 1960.
Schardt, A. Franz Marc, Berlin, 1936. (New edition, Berlin, 1963.)
References in periodicals archive ?
In this sequel "If Picasso Painted a Snowman", author Amy Newbold and illustrator Greg Newbold once again combine to convey nineteen artists' styles in a few deft words, with Greg Newbold's chameleon-like artistry showing children ages 6-9 Edgar Degas' dinosaur ballerinas, Cassius Coolidge's dinosaurs playing Go Fish, Hokusai's dinosaurs surfing a giant wave, and dinosaurs smelling flowers in Mary Cassatt's garden; grazing in Grandma Moses' green valley; peeking around Diego Rivera's lilies; tiptoeing through Baishi's inky bamboo; and cavorting, stampeding, or hiding in canvases by Henri Matisse, Andy Warhol, Frida Kahlo, Franz Marc, Harrison Begay, Alma Thomas, Aaron Douglas, Mark Rothko, Lois Mailou Jones, Marguerite Zorach, and Edvard Munch.
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When he returned to Munich in 1911, Klee became involved with Der Blaue Reiter (The Blue Rider), an organization of diverse artists founded by Wassily Kandinsky and Franz Marc. Those associations and travels to Paris in 1912 exposed the young artist to emerging, new theories about color and art forms and lead to his discovery of work by Pablo Picasso and Georges Braque.
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There is always this welcome niche, in periods of societal transition, for the ode to pleasure, to abundance, to gazing at comfort, and in this, Alegre is not without forebears: Franz Marc in the days before the Great European conflict; Paul Gaugin at the crux of the Industrial Age: Fernando Amorsolo in the gap between Philippine colonization and independence; Odilon Redon and Gustav Klimt in the twilight before modernity would grip us in its carbon-gasping chokehold.
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My fifth-grade students explored the world of warm and cool colors by creating "Colorful Chameleons." We began the activity by looking at Franz Marc's The Large Blue Horses (1911), to see how he used cool colors for his horses and warm for the background.