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Presenting operettas by Oscar Straus and Emmerich Kalman, as well as works like Franz Schreker's Die Gezeichneten, is all part of a greater plan to reclaim and celebrate works which the Nazis tried to erase.
Alois Haba studied with Vitezslav Novak at the Prague Conservatory and Franz Schreker at both the Music Academy in Vienna and the Musikhochschule in Berlin.
Composers like Kurt Weill, Hanns Eisler, Franz Schreker, Franz Schreker, Alban Berg, Paul Hindemith, Arnold Schoenberg and Hans Pfitzner emerged from this era.
The Bolshoi Theatre put a special emphasis on the scores published by Universal Edition in the 1920s, when a few productions of such modern composers as Richard Strauss, Ernst Krenek, and Franz Schreker were staged.
Universal Edition (hereafter UE) was founded in 1901, but it was not until 1909 that its director, Emil Hertzka, began to branch out from standard classics to new music and signed his first contracts with Gustav Mahler, Franz Schreker, and Arnold Schoenberg.
It opens with a rare performance of the Chamber Symphony by Franz Schreker, whose richly melodious music put him on a level with the best of the late German Romantics, whose colourful Le bourgeois gentilhomme suite brings tonight's concert to a rousing climax.
For a start, it included the rarely-heard suite by Franz Schreker, The Birthday of the Infanta, a highly inventive collection of short pieces written for the Vienna Art Show of 1908.
Refusing to get hung up on the conventional, seemingly non-modernist aspects of these works, Frisch shows the efforts of such little-known (to the general public) composers as Franz Schreker to escape the Wagnerian legacy, experiment with new forms, and explore the depths of psychological man.
D.h., Komponisten wie beispielsweise Franz Schreker, der vor dem ersten Weltkrieg zu den "zentralen Figuren der deutschen Opernlandschaft" (Tl.
Until recently, Franz Schreker (1878-1934) was treated as a footnote to the history of early 20th-century opera, though during his day he was regarded as the true successor to Wagner and Strauss and was championed by the likes of Fritz Busch, Erich Kleiber, Otto Klemperer and Bruno Walter.