Gabrielle Roy


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Roy, Gabrielle

 

(pen name of Marcelle Carbotte). Born 1909 in Saint Boniface, Manitoba. Canadian writer.

Roy writes in French. She is one of the first French Canadian realists to write about urban workers. Her first novel, Tin Flute (1945; Russian translation, 1972), is well known. It truthfully depicts the life, character, and psychology of the residents of a workers’ suburb of Montreal. The novel Where Nests the Water Hen (1950) describes the life of pioneers on the prairie. Cashier (1954) is a novel about the hopeless dreams of the average man. The semiautobiographical book Street of Riches (1955) deals with childhood spent on the prairie. Roy also wrote the novel Hidden Mountain (1961), which is about a talented artist from the people, and the short-story collection Road Past Altamont (1966).

REFERENCES

Vannikova, N. I. Kanadskaia literatura na frantsuzskom iazyke (1945–1965). Moscow, 1969.
Le Roman canadien-français: Evolution, témoignages, bibliographie. Montreal [1971].

L. S. OREL

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Jacqueline Blay, of Maison Gabrielle Roy, tree planted at Vermette Park.
As I was writing this review, Morra's book was shortlisted for the Association of Canadian and Quebec Literature's Gabrielle Roy Prize, awarded annually for the best book-length studies in Canadian and Quebecois literary criticism.
The Tin Flute (in French, Bonheur d'occasion) established Gabrielle Roy's position as a major writer in Canada.
Therese Renaud, Paule Saint-Onge, et surtout Gabrielle Roy, sont abordees, de meme que Denise Desautels, Diane-Monique Daviau, France Theoret et Francine Noel.
Chapter 3, "Cross-Cultures: Nomadic Identities," reflects on the ambiguity and the hybrid, both of which are central to the francophone experience and concept of identity, in the works of Mayotte Capecia, Maryse Conde, Kim Lefevre, Gabrielle Roy, and Isabelle Eberhardt.
The second essay in this special issue introduces a writer too-little known in this country, the award-winning Canadian author, Gabrielle Roy. I have little doubt that Dr.
PubliEe en 2000, son Histoire de la littErature pour la jeunesse lui avait valu le prix Gabrielle Roy (2000), le prix Champlain (2001) ainsi que le Prix du livre de la Ville d'Ottawa (2002).
Cet ouvrage tres interessant se situe dans le prolongement de deux titres publies chez le meme editeur sous la direction de Jane Everett et de Francois Ricard: Gabrielle Roy reecrite (2003) et Gabrielle Roy inedite (2005).
Both Rosemary Chapman and Kathryn Gannon look at reconfigurations of colonial space in Canadian literature, and Chapman demonstrates how Gabrielle Roy's work resists freezing the North as a site of otherness while Gannon uncovers the ways in which Maillet's Pelagie challenges the colonial tendency to conceive the New World as a blank canvas on which the colonizer can write or paint his own vision.
Specific texts examined are by Assia Djebar, Gabrielle Roy, Antonine Maillet, John-Phillipe Toussaint, and Nicholson Baker.
These women from our recent past (Congresswoman Shirley Chisholm and author Gabrielle Roy, among others) often found themselves bound by traditional racial or gender roles and, through their own gumption, got the education and experience necessary to make names for themselves.