Generation of '98


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Generation of '98

Generation of '98, Spanish literary and cultural movement in the first two decades of the 20th cent. It was so named by Azorín (see Martínez Ruiz, José) in 1913 to designate a group of young writers who, in the face of defeat (1898) in the Spanish-American War, proclaimed a moral and cultural rebirth for Spain. Azorín's original list included Valle Inclán, Unamuno, Benavente y Martínez, Baroja y Nessi, Ramiro de Maeztu, Darío, and Azorín himself. It has since been emended to include Ganivet and Antonio Machado, as well as Ortega y Gasset, Pérez de Ayala, and Marañón. Darío is more often considered as the founder of modernismo. The group was concerned with defining the essential quality of Spain, studying its history and culture. In the austere life of Castile many of them discovered the key to the essence of Hispanicism. While they attacked aestheticism and the current adulation of the Austrian satiric poet Karl Kraus, they also represented cosmopolitan trends, including political liberalism. They greatly influenced the work of later Spanish writers.
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References in periodicals archive ?
This corresponded with the literary "Generation of '98" (p.
Nevertheless, he showed some deviations from the authors of the Generation of '98: He did not receive a university education, started to publish later--in 1906--, traveled around the world, and maintained a very critical attitude towards his contemporary writers.
Spaniards could claim modest antecedents in Larra or the Generation of '98.
Fernandez Cifuentes points to 1918 and Impresiones y paisajes as the site of rupture between the Generation of '98 writers, interested in the collective importance of history, and Lorca's cohort which placed greater emphasis on personal response.
In 1999, as Spaniards reflect on last century's Generation of '98 and the cataclysmic changes that have followed, historians and citizens still face questions about the struggles that pitted many Spains against each other.
The writers and thinkers who gave themselves to the task of criticizing Spain in an attempt to revitalize her are known as the Generation of '98; Unamuno was their spiritual leader, the man who expended his seventy years in unremitting defiance of social and political structures that make difficult if not impossible the struggle to create oneself as an individual and as a consequence to create a unique dynamic society.
And when rendered in Spanish, the phrase "Generation of '98" had a wonderful resonance as it rolled over my tongue.
As a member of the Generation of '98, Baroja revolted against the stultifying aspects of Spanish life.
Marco's comparable attempt to link the earlier generation of composers whose most important figures were Falla, Joaquin Turina, Conrado del Campo, Jesus Guridi, Julio Gomez and Oscar Espla (and which, following established precedent, he labels the Generation of Maestros) with the group of writers known as the Generation of '98 (whose leading member was Antonio Machado) requires rather more latitude, being justified solely on the grounds of 'areas of common concern'.
Chapter 5 concentrates upon the generation of '98, with special reference to Unamuno, Minor y pedagogia, Baroja, El arbol de la ciencia, and Minor y ciencia, a play by Galdos of 1905.
Hess's incisive history brims over with impressive erudition, gleaned from her obvious familiarity with philosophers such as Jose Ortega y Gasset, the writers of the Generation of '98 (especially Miguel de Unamuno), and the literary culture that thrived in newspapers and periodicals during the first decades of the twentieth century.

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