George Seferis

Seferis, George

 

(pen name of Giorgos Seferiades). Born Feb. 19, 1900, in İzmir, Turkey; died Sept. 20, 1971, in Athens. Greek poet.

Seferis moved to Athens in 1914. From 1918 to 1925 he studied law in Paris, and between 1926 and 1962 he served in the diplomatic corps. In 1931 he published his first collection of verse, The Turning Point, which was followed by the collections The Cistern (1932), Mythistorema (1935), Exercise Book (1940), Log Book I (1940), Log Book II (1944), The Thrush (1947), and Log Book III (1955). The metaphor of the deck of a ship, often used in his verse, represents a continually moving stage where the poet acts and meditates. His works portray modern themes through the use of Greek mythology. The verses of the 1930’s are permeated with elegiac recollections of childhood and dramatic reflections on the defeat of Greece in the Turkish War of Independence of 1919–22. During World War II, Seferis extolled the resistance fighters in their struggle for freedom. He was awarded a Nobel Prize in 1963.

WORKS

Poiemata. Athens, 1963.
Journal (1945–1951). Translated from Greek by L. Gaspar. Paris, 1973.
In Russian translation:
“Lik sud’by.” [Verses.] In Inostrannaia literatura, 1969, no. 9.

REFERENCES

Mochos, Ia. V. Kostas Varnalis i literatura grecheskogo Soprotivleniia. Moscow, 1968.
Mirambel, A. Georges Seferis: Prix Nobel 1963. Paris, 1964.

IANNIS MOCHOS

References in periodicals archive ?
Along the way, she crossed paths with other seminal modern artists such as Natalie Clifford Barney, Renee Vivien, Isadora Duncan, Susan Glaspell, George Cram Cook, Richard Strauss, Dimitri Mitropoulos, Nikos Kazantzakis, George Seferis, Henry Miller, Paul Robeson, and Ted Shawn, says a review on the Princeton University Press website.
In Patras , the event will take place in one the EPAL Patras (George Seferis 129) and at 11:00 , with the assistance of the Regional Directorate of Primary and Secondary Education of Western Greece.
In 1931 George Seferis wrote a poem called Denial that was later set to music by Mikis Theodorakis that became the song Sto Periyiali to Krifo sung first by Grigoris Bithikotsis and then more mellifluously by Maria Farantouri.
This renewed international interest is reminiscent of the mid-twentieth-century boom in Greek poetry that included the Nobel Prize winners George Seferis and Odysseus Elytis.
"George Seferis during the War", Grand Street, 5, 2, 175-186.
Lewis, Salvatore Quasimodo, Jean Cocteau, Laura Riding, Albert Camus, and George Seferis. ([umlaut] Ringgold, Inc., Portland, OR)
His friend, poet George Seferis, accused Leigh Fermor of "Penelopization." He composed during the day and picked the text apart at night, forestalling its completion, just as Penelope put off her suitors by picking apart each day's weaving while awaiting Ulysses.
(Wright blows the unities of time and place to high heaven.) Other figures include "Don Alfonso," "Don Lupe," "Stratis Thalassinos" (the Greek poet, George Seferis), "the Cusan" (Nicholas of Cusa?), "Baca" ("biblical Baca"), (Luis) "Cernuda," (Jose) "Gorostiza," "the Intrusive, Insubstantial, Hypertensive, and Insulting Ronald Firbank," "Thomas the Pythagorean Scot," "Langston" (Hughes), "Brumo," "the Carolingian," "Aden," "the Parisian," "the Egyptian," "my Ecuatoriano," and perhaps most curiously of all, "Daisy Fawcett." Wright's sobriquets, which leave the origins of many figures in obscurity, suggest a symposium of intimates, or a gallery of alter egos.
The Nobel League of diplomat-poets includes Gabriela Mistral, Saint-John Perse, George Seferis, Ivo Andric, Miguel Angel Asturias, Pablo Neruda and Octovio Paz.
He told George Seferis, Greece's first Nobel Prize winner for literature, that his guide's death was probably the lowest point of his life.
Next, Joe Kishton creatively renders Dali's impact on Miller, Finn Jensen explores Miller's relationship with George Seferis, and Harry Kiakis gives readers another installment from his diary.
In his influential essay on Cavafy's poetics, the main proponent of this thesis, George Seferis writes: