Ginger Rogers


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Related to Ginger Rogers: Fred Astaire
Ginger Rogers
Virginia Katherine McMath
Birthday
BirthplaceIndependence, Missouri, USA
Died
Occupation
Actress, singer, artist, and dancer

Rogers, Ginger (b. Virginia Katherine McMath)

(1911–  ) movie actress; born in Independence, Mo. She made her professional debut at age 14 with Eddie Foy's vaudeville troupe; by 1928 she was appearing with her first husband, Jack Pepper, as a vaudeville song-and-dance team; she sang with a band, appeared in film shorts and in Broadway musicals, and made her screen debut in Young Man in Manhattan (1930). She and Fred Astaire were not given star billing when they first danced together in Flying Down to Rio (1933), but they stole the picture and went on to adorn nine more movies. She made several nonmusical roles—winning the Oscar for best actress in Kitty Foyle (1940)—and in 1945 was the highest paid performer in Hollywood. She continued in occasional movies until the mid-1960s but then found a new public when she took over the lead in such musicals as Hello, Dolly! and Mame. She served as a fashion consultant for the J. C. Penney retail stores in the 1970s.
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See displays about Hollywood celebrities from Kansas City, and a 30-minute presentation about Ginger Rogers by the museum owner, Marge Padgitt.
In 1969 Roger Moore, centre, brought Ho Ho Seven to a couple of youngsters while Carry On Stars Sid James and Barbara Windsor took on the roles of Father and MotherChristmas and even Hollywood star Ginger Rogers, right, couldn't resist trying on the big man's whiskers
Greta Garbo, Marilyn Monroe, Marlene Dietrich, Joe DiMaggio, Marlon Brando, James Dean, Grace Kelly, Jean Harlow, Gene Kelly, Fred Astaire, Ginger Rogers, Rita Hayworth, Katharine Hepburn, Lana Turner and Bette Davis have all long since gone off to the great silver screen in the sky and this week, 24 years after the song's release, we lost the last of Madonna's list with the death on Tuesday of Lauren Bacall, a fact that has not gone unnoticed by movie and music fans alike.
McMath married a man named Rogers, young Virginia became Ginger Rogers.
Later that same year someone at RKO Pictures had the genius to partner him with another Broadway expatriate, Ginger Rogers, in significant but secondary roles in Flying Down to Rio, nominally starring Dolores Del Rio.
Examples of individual topics explored by the two-to-three page entries include Amos 'n' Andy, Fred Astaire and Ginger Rogers, automobiles, contract bridge, Walt Disney, Flash Gordon, Judy Garland, Edward Hopper, Leisure and Recreation, the Lindbergh Kidnapping, the Marx Brothers, miniature golf, pulp magazines, Paul Robeson, Frank Sinatra, stamp collecting, Walter Winchell, and Frank Lloyd Wright.
In particular, Heather Graham's character, Gray, is looking for "someone who doesn't think Ginger Rogers is one of the Spice Girls, someone who wouldn't consider going to Florida 'traveling,' someone who's not afraid to try Ethiopian food." What Gray fails to mention, perhaps because she doesn't yet realize it, is that this someone ought to be a woman--preferably her brother's new wife (Bridget Moynahan), whose comely looks and tendency to watch TV while wearing an evening gown make her just the thing to uncork Gray's repressed sexuality.
I remember sitting across the table from Ginger Rogers and, later, photographing Bob Langley dancing with her - lucky devil!
In 2000, the New Yorker congratulated Sue Williams on her metamorphosis from "the angriest woman in the art world" to a "sort of blissed-out innocent," a feminist turned formalist (as if these terms were mutually exclusive) who nonetheless was still resigned to playing "Ginger Rogers" to Willem de Kooning's "Fred Astaire." Now, five years later, such insidiously sycophantic gender politics are all but displaced, even if it is hard to see Williams's recent work apart from her earlier agitprop exercises in aggressive desublimation.
Written by Harry Segall, this comedy stars Cary Grant, Ginger Rogers, Charles Coburn, Hugh Marlowe and Marilyn Monroe in the role of Miss Lois Laurel: a role that added an ounce of nothing to Monroe's acting career.The events of this black and white sci-fi comedy are set in the corners of a bleak science lab at the Oxley Chemistry Company, where Doctor Barnaby Fulton (Grant) is trying to assimilate a formula that will help cure the illnesses resulting from the aging process.
Organized by the Chinese Historical Society of America, the exhibition gathers actual transcripts of the arduous interrogations Angel Island detainees endured, as well as photos and objects from the San Francisco Chinatown nightclub of the 1930s, where assimilation took the form of Chinese versions of Fred Astaire and Ginger Rogers. Created by Welly Yang, Brian Yorkey and Woody Pak, Making Tracks has been angling for a Broadway bow.