Giorgio Strehler


Also found in: Wikipedia.
The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Strehler, Giorgio

 

Born Aug. 14, 1921, in Trieste. Italian stage director.

Strehler graduated from the Academy for Lovers of the Dramatic Arts in Milan in 1940 and acted with various drama troupes. He began his career as a stage director in 1941. In 1947 he organized and headed, along with P. Grassi, the Piccolo Teatro in Milan, Italy’s first resident drama theater. From 1968 to 1972 he headed his own theater company. In 1972 Strehler returned to the Piccolo Teatro.

One of Italy’s most prominent directors, Strehler is an advocate of the realistic theater and follows the main theoretical principles of B. Brecht. His best productions include Gorky’s The Lower Depths (1947), Goldoni’s A Servant of Two Masters (1947) and Chiozzotte Skirmishes (1966), and Brecht’s The ThreepennyOpera (1956), The Good Woman of Setzuan (1958), and Schweikin the Second World War (1961). Strehler has successfully staged Chekhov’s The Cherry Orchard (1956) and Shakespeare’s Coriolanus (1957) and King Lear (1972). He has also staged operas, including Verdi’s La Traviata (1947), Prokofiev’s The Lovefor Three Oranges (1947), and Cimarosa’s The Secret Marriage (1949), all at La Scala in Milan.

The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
References in periodicals archive ?
He recounts lessons from his own teachers, including Fritz Kortner, Leopold Lindtberg, and Giorgio Strehler. At some points, Hampe's experience does show through, for example in his interesting discussions of musical time (p.
Published by Bompiani in 1949, the play received a cold reception when it premiered in 1950 at the Piccolo Teatro in Milan under the direction of Giorgio Strehler.
Dividevo la camera con alcuni amici che sarebbero diventati famosi: Giorgio Strehler, Franco Brusati, Livio Garzanti, Ugo Barzini.
In Prospero's "True Preservers," Horowitz remedies this oversight, examining how three internationally prominent directors (Peter Brook, Yukio Ninagawa, and Giorgio Strehler) have staged Shakespeare's play, often in translation and with actors from non-Western traditions.
Notable among the former are Giorgio Strehler's Milan production, Slobodan Snajder's Croatian Faust, and the 'postcolonial' reading by William Kentridge's 'Handspring Puppet Theatre Company' from Johannesburg.
The Italian actor Ferruccio Soleri is hanging his hat as the wily servant in the late Giorgio Strehler's 1953 Piccolo Teatro di Milano production of Carlo Goldoni's Arlecchino, Servant of Two Masters.
The comic vision preserved in the Piccolo Teatro di Milano production of "Arlecchino" is that of Giorgio Strehler, who died in 1997 but left an indelible imprint on stage comedy with his original 1947 production of Carlo Goldoni's 18th-century play.
The late Giorgio Strehler originally staged this production more than 30 years ago to universal praise, but at the July 7 performance (its penultimate before being permanently retired), one was scarcely aware at times that this was a comic opera.
No faltan en ellas consideraciones personales acerca de la "moral estetica" que debe guiar los pasos de un profesional del teatro, juicios de valor sobre algunos de los montajes mas representativos de la historia del teatro contemporaneo, tales como el Orlando Furioso, realizado por Luca Ronconi, el Fausto presentado por Klaus Gruber, o el Arlequin, servidor de dos amos, emblematico montaje de Giorgio Strehler y, por encima de todo, una vision integradora del hecho teatral que trata de establecer lucidas conexiones entre diversas formas del espectaculo de todos los tiempos, desde los misterios medievales hasta los conciertos de rock o el cine.
Giorgio Strehler, Italian dramatist and director, Milan, 25 December 1997.