Giorgio Vasari


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Vasari, Giorgio

(jôr`jō väzä`rē), 1511–74, Italian architect, writer, and painter. He is best known for his entertaining biographies of artists, Vite de' più eccellenti architetti, pittori e scultori italiani (1550, rev. ed. 1568), which began with CimabueCimabue, Giovanni
, d. c.1302, Florentine painter, whose real name was Cenni di Pepo or Peppi. The works with which his name is associated constitute a transition in painting from the strictly formalized Byzantine style, hitherto prevalent in Italy, to the freer expression of
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 and ended with MichelangeloMichelangelo Buonarroti
, 1475–1564, Italian sculptor, painter, architect, and poet, b. Caprese, Tuscany. Early Life and Work

Michelangelo drew extensively as a child, and his father placed him under the tutelage of Ghirlandaio, a respected artist of the day.
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. The standard modern edition is that annotated by Gaetano Milanesi (1878), translated into English by Gaston de Vere as Lives of the Artists (10 vol., 1912–14). Though much of Vasari's information is incorrect or embellished, his work is the basic source of our knowledge of Renaissance and mannerist artists. He is most enlightening in the discussion of his contemporaries and less trustworthy for 14th- and 15th-century artists. A mannerist himself, Vasari executed paintings in the Palazzo Vecchio at Florence and the Sala Regia in the Vatican and made portraits of the Medici. His major architectural works include the Uffizi in Florence and churches and palaces in Arezzo and in Pisa.

Bibliography

See biography by I. Rowland and N. Charney (2017); study by E. Rud (1963).

Vasari, Giorgio

(1511–1574)
The Uffizi Palace, his only significant work, is Mannerist in style.

Vasari, Giorgio

 

Born July 30, 1511, in Arezzo; died June 27, 1574, in Florence. Italian architect, painter, and art historian. Representative of mannerism.

Vasari studied under B. Bandinelli in Florence, and his aesthetic outlook developed under the influence of Michelangelo. He founded an academy of drawing in Florence (1562). Vasari built the Piazza dei Cavalieri in Pisa (1562), his own home (1542) and the Logge (1573-81) in Arezzo, and others. His principal work is the Uffizi Ensemble in Florence (1560-85), with its narrow street-corridor between the Signoria Plaza and the bank of the Arno River. Vasari’s paintings include frescoes in the Palazzo Vecchio in Florence (from 1555), in the Sala Reggia in the Vatican in Rome (1571-73), and elsewhere. He is the author of The Lives of the Most Eminent Italian Architects, Painters, and Sculptors (1550; 2nd ed., 1568), which is important for its very rich factual material as well as for its evaluation of the progressive role of art during the period of the Renaissance.

WORKS

Zhizneopisaniia naibolee znamenitykh zhivopistsev, vaiatelei i zodchikh [vols. 1-4]. Moscow, 1956-70.

REFERENCES

Vseobshchaia istoriia arkhitektury, vol. 5. Moscow, 1967. Pages 238-44.
Studi Vasariani. Florence, 1952.
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Por meio de tais de pressupostos, Dolce assevera nao ter havido razoes para a ausencia da biografia de Ticiano na primeira edicao das Vite, de Giorgio Vasari, de 1550.
Les plus hautes autorites culturelles de Florence dont l'Opificio delle Pietre Dure --ou Office de la pierre dure, celebre institut de recherche et restauration d'oeuvres picturales--, soutenues par le maire de gauche Matteo Renzi, sont convaincues que Giorgio Vasari a peint en 1563 la "Bataille de Marciano" qui orne les murs du Palazzo Vecchio, en recouvrant la fresque de Leonard.
7) Cited in Giorgio Vasaris, Lives of the Artists, Aselection translated by George Bull, Hannondsworth, 1965 (Penguin Classics), pp.
Fully finished, these works were presented, according to Giorgio Vasari, Michelangelo's contemporary and early biographer, to teach the young man how to draw.
The dimensions of the runners, the external canals from furnace to runners and the bronze alloy were deducted from contextual sources, such as The Pirotechnia by Vannoccio Biringuccio (1540), Cellini's Treatise on Sculpture (1541) and Lives of the Artists (1551) by Giorgio Vasari," Bernardoni said.
In 1563, a new ruler--who wasn't crazy about a mural that honored the previous government--commissioned architect Giorgio Vasari to give the hall a makeover.
Resumio la continuidad estetica en el dialogo que sostiene Joseph Beuys con Giorgio Vasari sobre Vitrubio y el manierismo.
Aun mas interesante incluso es poder comprobar el sesgo "antigioviano" de Giorgio Vasari.
Well-known artists include Michelangelo, E1 Greco, Raphael, Giorgio Vasari and Annibale Carracci.
Giorgio Vasari spent most of his life trying to capture this through researching, writing and rewriting his monumental Lives Of The Most Excellent Painters Sculptors And Architects, a history of Italian art from Giotto to Michelangelo, which was first published in 1550.
Biographies of the Most Eminent Architects, Painters and Sculptors of Italy By Giorgio Vasari (1550, expanded in 1568)
As Giorgio Vasari wrote of Leonardo da Vinci, "the cause of his leaving so many things imperfect was his search for excellence after excellence, and perfection after perfection" (Giorgio Vasari, Lives of the Artists, trans.