Giorgio de Chirico


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De Chirico, Giorgio:

see Chirico, Giorgio deChirico, Giorgio de
, 1888–1978, Italian painter, b. Vólos, Greece. Chirico developed his enigmatic vision in Munich and Italy and from 1911 to 1915 he worked and exhibited in Paris.
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Chirico, Giorgio de

(jōr`jō dā kē`rēkō), 1888–1978, Italian painter, b. Vólos, Greece. Chirico developed his enigmatic vision in Munich and Italy and from 1911 to 1915 he worked and exhibited in Paris. His powerful, disturbing paintings employ steep perspective, mannequin figures, empty space, and forms used out of context to create an atmosphere of mystery and loneliness. His work exercised a considerable influence on early surrealist painters but was never successfully imitated. In Ferrara, Chirico developed what he termed metaphysical painting, in which he consciously exploited the symbolism of his art. Chirico is represented in leading galleries throughout the world.

Bibliography

See his memoirs (tr. 1972); studies by J. T. Soby (1955, repr. 1967) and I. Far (tr. 1971).

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9-14), Juan Jose Lahuerta hace algunas de las apreciaciones mas perspicaces y pertinentes acerca de la pintura de Giorgio de Chirico.
Although the Italian painter Giorgio de Chirico (1888-1978) lived to be 90 years old, he is known for paintings that he completed in a period of just 10 years.
In James Macdonald's bravura staging, designer Hildegard Bechtler and lighting designer Jean Kalman give the square the eerie solidity of a Giorgio de Chirico painting.
Jewell riconsidera il modernismo esaminando quelle opere pittoriche e letterarie di Giorgio De Chirico in cui sono rappresentate le figure eroiche del passato e i loro miti.
After a first French monograph about Giorgio de Chirico and a much-acclaimed volume by Gilles Deleuze entitled Francis Bacon, la logique de la sensation (Francis Bacon or the logic of sensation), Vital surrounded himself with artists and authors for whom literature and painting were inseparable: Andre Masson, Julio Pomar, Pierre Klossowski, Isabelle Waldberg, Marcel Broodthaers, Michel Journiac, and Michel Butor, to cite only a few.
Working in conjunction with BT, Tate Online has extended the original site with an additional section called 'The Everyday Transformed' which explores the works of six twentieth century artists: Giorgio de Chirico, Fernand Leger, Sir Eduardo Paolozzi, Natalya Goncharova, Patrick Caulfield and Francis Picabia.
Giorgio de Chirico met Guillaume Apollinaire in 1912, some time around the first appearance of the painter's work at the Salon d'Automne.
If you combined this project with a discussion on fantasy or Surreal art, and/or shared some images by Joseph Cornell or Giorgio de Chirico, some mysterious and creative writings might take place.
Among these we can spot a clearly defined group whose inspiration seems to have been the characteristic iconographic catalogue of the Italian painter and poet Giorgio de Chirico, co-founder of the school of Pittura Metafisica and precursor of surrealism.
Cosi fino a qualche decennio fa Giorgio De Chirico e rimasto per molti quasi esclusivamente quello della prima maniera metafisica.
Besides Balanchine's, she clothed many ballets for Michel Fokine, Leonide Massine, Frederick Ashton, Agnes de Mille, and Jerome Robbins, and reproduced in three dimensions the designs of some of the great artists of her time: Marc Chagall, Salvador Dali, Pavel Tchelitchew, Giorgio de Chirico, Isamu Noguchi, Andre Derain, Balthus, Christian Berard, Leon Bakst, Cecil Beaton, Joan Miro, and Robert Rauschenberg.
With that in mind, thanks are due to Giorgio de Chirico for his title, The Enigma of the Arrival and the Afternoon (1912), if not for the idea that his metaphysical painting has relevance to "An Outpost of Progress.