Piranesi, Giovanni Battista

(redirected from Giovanni Piranesi)

Piranesi, Giovanni Battista

(jōvän`nē bät-tē`stä pēränā`zē), 1720–78, Italian etcher and architect. The greater part of his life was spent in Rome, where he made etchings of the buildings and monuments of the ancient and modern city. His architectural plates are notable for their accuracy and grandeur, although in his admiration for these monuments, he occasionally exaggerated their scale. In other etching series, he created fanciful reconstructions of Roman monuments and dark visions of imaginary prisons, as in the Carceri plates. The one existing building that he designed is the Church of Santa Maria Priorato, Rome (1764–65).

Bibliography

See studies by A. M. Hind (1922), A. H. Mayor (1952), H. Thomas (1954), P. Murray (1972), J. Scott (1975), and J. Wilton-Ely (1978).

Piranesi, Giovanni Battista

(1720–1778)
Italian architect and artist who produced etchings and engravings of imaginary scenes of antiquity. He published Della Magnificenza ed Architecttura dei Romani, and Invenzioni Capric di Carceri, the “Prisons” (c. 1745).

Piranesi, Giovanni Battista

 

Born Oct. 4, 1720, in Mojano, Veneto; died Nov. 9, 1778, in Rome. Italian engraver and architect.

Piranesi was influenced by ancient Greek and Roman architecture and by baroque set design (Galli da Bibbiena). Working in a technique that combined etching with engraving, Piranesi created architectural fantasies, which are striking in the superhuman grandeur of spatial solutions and dramatic chiaroscuro (for example, the cycles Carceri d’Invenzione, c. 1745–50 and 1760–61). He invested his landscape engravings with an element of romantic invention, which make the architectural monuments particularly impressive and picturesque (the cycles The Etchings of Rome, 2 vols., 1748–88). Piranesi’s engravings, particularly those of a decorative nature, greatly influenced the development of the Empire style.

REFERENCES

Toropov, S. A. Dzhovanni Battista Piranezi: Izbrannye oforty. Moscow, 1939.
Volkmann, H. G. B. Piranesi, Architekt und Graphiker. Berlin, 1965.
References in periodicals archive ?
As a result of his work in making sculpture fill entire spaces, Ferber began a series of sculptures, of which this sculpture is one, based on the work of Giovanni Piranesi, an 18th-century Italian artist.
Finally, the exhibition comes full circle with a "show within a show" of drawings and etchings by Giovanni Piranesi.
Also on display are engravings by 18th-century Italian architect Giovanni Piranesi and original renderings of the San Francisco-Oakland Bay Bridge from the office of architect Timothy Pflueger.