Giuditta Pasta

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Pasta, Giuditta


(maiden name, Negri). Born Oct. 28, 1797 (according to some sources, Apr. 9, 1798), in Saronno, near Milan; died Apr. 1, 1865 (or 1867), in Blevio, near Como. Italian soprano.

Pasta studied at the Milan Conservatory. She toured in many European countries and, in 1840–41, in Russia. She was famed for her roles in the operas of G. Rossini, V. Bellini, and G. Donizetti. The title role in Norma and the role of Amina in La Sonnambula, both by Bellini, were written for Pasta, as was the title role in Donizetti’s Anna Bolena.


Timokhin, V. Vydaiushchiesia ital’ianskie pevtsy: Ocherki. Moscow, 1962.
Giuditta Pasta e i suoi tempi: memorie e lettere raccolte a cura di M. F. Giulini. Milan, 1935.
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The tide role was created by Isabella Colbran and quickly became a favorite for Giuditta Pasta.
1660), who created the prototype of the first operatic prima donna; Nancy Storace (1765-1817), Mozart's "Susanna" (in The Marriage of Figaro) who masterfully combined comedic talent and acting ability with singing; Giuditta Pasta (1797-1865), whose tremendous vocal and dramatic talents inspired Bellini's Norma and whose singing Chopin called "sublime"; Wilhelmine Schroder-Devrient (1804-1860), whose dramatic performance of Fidelio profoundly influenced Wagner's development of music dramas; Jenny Lind (1820-1887), the superstar who literally took America by storm; and Marian Anderson (1897-1993) whose determination and lovely contralto voice helped break down racial barriers.
Chapter 3, "Embodying Opera: The Prima Donna in Russia," concerns the female opera star, comparing the adulation accorded Western divas such as Giuditta Pasta, Maria Malibran, Pauline Viardot, and Adelina Patti with the denigration of the Russian female vocalist.