Gopak


Also found in: Dictionary, Wikipedia.

Gopak

 

(Ukrainian hopak; from hop, an exclamation uttered while dancing; from it come the verbs hopati [to stamp] and hopkati [to jump]), a Ukrainian folk dance, mainly for men. It includes jumps, prisiadkas (steps executed by extending the legs alternately forward from a squatting position), and turns and often is of a grand, heroic character.

The vocal and instrumental melodies of the gopak are also often performed as independent musical pieces among the people. Folk melodies of the gopak and the genre itself have been used in many works by Russian and Ukrainian composers—in Rimsky-Korsakov’s opera May Night, Mussorgsky’s opera The Sorochintsy Fair, Tchaikovsky’s opera Mazeppa, Gulak-Artemovskii’s opera The Zaporozhian Cossack Beyond the Danube, Lysenko’s opera The Aeneid, Pu-gni’s ballet The Little Humpbacked Horse, Solov’ev-Sedoi’s ballet Taras Bul’ba, Khachaturian’s ballet Gayane, and Svechnikov’s ballet Marusia Boguslavka. One movement of Shtogarenko’s symphonic suite In Memoriam of Lesia Ukrainka bears the name gopak.

A. I. GUMENIUK

References in periodicals archive ?
It was exciting, and always got the crowd going, with much clapping, expostulation and dancing of the gopak. Then someone from the crowd would leap up onto the stage and remonstrate angrily with us, over the microphone for all to hear, that we dared to play Russian/Soviet, melodies at a Polish dance.
But these are minor quibbles, I suppose, for folks looking for a serviceable new digital recording of the Pictures, with three good couplings in "A Night on the Bare Mountain," the Prelude to Khovanshchina, and the Gopak from Sorochintsy Fair to boot.
7 Goodmans karaoke machine, pounds 149.99, Argos; disco ball, pounds 65, Room; shades, pounds 10, Flying Duck; folding table, pounds 100.98, Gopak; stools, as before.
These, of course, included such classic Moiseyeviana, all present in that first 1958 outing, as The Partisans, with its startling images of horsemen and wartime combat, the amusing pomposity of Old City Quadrille, the delightfully surprising Two Boys in a Fight, and finally, the ceaselessly amazing powerhouse virtuosity of the Gopak.
Time for tea, right Table, pounds 71.05, Gopak; black and chrome chairs, pounds 45 a pair, Flying Duck; red diner chair, pounds 120, Kitschen Sync; trolley, pounds 99, Room; wall phone, pounds 48, Flying Duck; clock, pounds 35, Russell Callow Clocks; apron, pounds 9.99, Rushbrookes Textiles; fabric blind, pounds 13 a square metre, Sodahl Fabrics.
The concluding Gopak, the best known of all Russian folk dances, with its deep knee bends, powerful kicks, and high jumps, lacked the fire I remember from the last time I saw the Moiseyev.
7 Table, about pounds 100, and bench, about pounds 62, both Gopak; tablecloth, pounds 12, Habitat; Roma cutlery, pounds 25 per setting, Doulton for Viners; PS cabinet, pounds 69, Ikea; mugs, pounds 1.25 each, Spoils Kitchen Reject Shop; Cuba dinner service, pounds 27.99 for 20 pieces, Rayware; red side plates, pounds 4.95 each, The Pier; picture, from a selection, Fraser Cunningham/Phil Waterman.
With his rough-hewn elegance, Andrew Drost, formerly of Boston Ballet II and Ballet South, made a striking debut in Gopak, Rostislav Zakharov's variation (staged by Bujones) on the Ukrainian folk dance.