Grosvenor Gallery

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Grosvenor Gallery,

founded in London (1877) by Sir Coutts Lindsay (1839–1913), for the independent exhibition (opening May 1 annually) of paintings and sculpture by established artists, both Academicians and moderns being represented. There is no jury. The gallery has the atmosphere of the private dwelling for which the work shown is usually destined.
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A few good oil-paintings from the exhibitions in the Grosvenor Gallery thirty years ago (the Burne Jones, not the Whistler side of them) are on the walls.
Recent solo exhibitions include Funkier than a mosquitos twitter, KH Gallery, London 2015, Safar Nama at Canvas Art Gallery, Karachi 2014, and Special 'Siri' Series at Aicon Gallery, New York 2011, while group exhibitions include Present Re-Inventions at Grosvenor Gallery, London 2014 among many others.
Eric Estorick, founder of the Grosvenor Gallery in London, exhibited Oskar Rabin as early as 1964.
In April, London's Grosvenor Gallery staged "Bhupen Khakhar," which included drawings, watercolors, and paintings from the mid-1970s though early '80s.
Terry was therefore among those who flocked enthusiastically to the opening of the Grosvenor Gallery in 1877.
Souza, which was bought for $ 150,000 ( ` 68 lakh) from the booth of the upscale Grosvenor Gallery, London, informed its representative Conor Macklin.
An explanation for reproducing Frith's painting might be the minor role that the Grosvenor Gallery plays in the plot, for we hear in passing that it was the site where Edwin Reardon, the professional writer who is one of Gissing's protagonists, met his future wife around 1879.
It all took place in 1877 at the inaugural exhibition of the Grosvenor Gallery in Bond Street, where Burne-Jones, G F Watts and Albert Moore were part of the artfest.
A first one-man show at the Upper Grosvenor Gallery in central London, a voyage on an Icelandic trawler and a commission with the Navy - thanks to Barnsley MP Roy Mason, then Secretary of State for Defence.
Crane (1845-1915) painted it in 1878 and showed it that year at the Grosvenor Gallery Summer Exhibition.
Crane painted it in 1878 and showed it at the Grosvenor Gallery Summer Exhibition where it was much admired by his contemporary, the Pre-Raphaelite artist Sir Edward Coley Burne-Jones.