The sonnet, "Una figura della Donna mia," is unusual in the corpus of Guido Cavalcanti
because it depicts a particular historical event.
Many will know Maria Luisa Ardizzone for her pioneering book on Dante's primo amico, Guido Cavalcanti
The wealth and power of the imperial papacy failed to rival the beauty of Pisa or Siena, and he would be foolish indeed who tried to name a Roman poet who rivaled Guido Cavalcanti
, much less Dante.
DANTE HAS JUST SAID that his first poem in praise of Beatrice won him the man whom he considers his best friend, the poet Guido Cavalcanti
Although the focus of this issue is on contemporary Italian poets, we also tip our hats to Guido Cavalcanti
, considered the first major poet in Italian, who was a mentor and friend to Dante.
While critics have tended recently to analyze the lyric poems of Dante and contemporaries such as Guido Cavalcanti
and Guittone d'Arezzo primarily in psychological terms, Steinberg maintains that radical differences in their praxis cannot be explained adequately by invoking an oedipal anxiety of influence.
In this witness, the order is Gerard, the King of Navarre, Arnaud Daniel, Aimeric "de Belmi," Guido Guinicelli, Guido Cavalcanti
, Cino de Pistoia, with "his friend" Dante closing the group; Aimeric de Peguilhan several lines later.
It does have a hint of self-justification (science by way of philosophy) as he speculates on the motives for a split between Dante and Guido Cavalcanti
('complex' but 'largely conjectural'), points to a 'scholarly consensus that the major source of their disagreement was ideological in character' (p.
A chapter on the Florence-born poet Guido Cavalcanti
is confusing; Guido's importance to Dante's development--which Ms.
El libro objeto del presente comentario es, conforme su propio subtitulo expresa, una recopilacion de versiones de los poetas provenzales Arnaut Daniel y Raimbaut d'Aurenga y de los italianos Dante Alighieri y Guido Cavalcanti
ofrecidas en parte a los lectores anteriormente, tal es el caso de los primeros autores mencionados en el volumen Mais Provencais: Raimbaut e Arnaut, con dos ediciones previas en la actualidad completamente agotadas (Florianopolis, Noa Noa, 1982; Sao Paulo, Companhia das Letras, 1987).
Stewart's thoughtful essay, "Spirit of Love: Subjectivity, Gender and Optics in the Lyrics of Guido Cavalcanti
," probes Guido's theory of vision and the importance of Averroes in medieval optical theory.
Simon West (Italian Studies) describes the challenges facing the translator of the thirteenth-century Italian poets Guido Cavalcanti
and Dante Alighieri.