Guo Moruo


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Guo Moruo
Guo Kaizhen 郭開貞
Birthday
Birthplace Leshan, Sichuan
Died

Guo Moruo

or

Kuo Mo-jo

(both: gwô` môrhwô`, –zhô`), 1892–1978, Chinese writer and scholar. He co-founded the Creation Society, which promoted a romantic style of writing. His love stories and experiments in free verse, particularly his poetry collection The Goddesses (1921), won immediate popularity. He wrote several historical plays, notably Ch'ü Yüan (1942), about the dissident poet of the 4th-century B.C.; Guo, an avowed Marxist, wrote it while living in territory controlled by the Nationalist Party. He also wrote numerous studies on Chinese archaeology, history, and literature. He served as a prominent government official from 1949 until his death.

Bibliography

See biography by D. T. Roy (1971).

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References in periodicals archive ?
The Translatability of Revolution: Guo Moruo and Twentieth-Century Chinese Culture
In the 1960s, before the Cultural Revolution, there were two quite active underground salons in Beijing: X Poetry Society, founded by Guo Shiying, one of the sons of Guo Moruo (the first president of the Chinese Academy of Sciences), and Solar Brigade, led by Zhang Langlang, whose father, Zhang Ding, was then the dean of the Central Academy of Arts and Design.
Selected Works of Guo Moruo: Five Historical Plays.
The famous writer and scholar Guo Moruo had once paid a visit to the factory and gave high appraisal to the delicacy and the prosperous developmental scenery of Huishan clay figurines for which he had written the poem: "[TEXT NOT REPRODUCIBLE IN ASCII] (ran wu wu ku jin) [TEXT NOT REPRODUCIBLE IN ASCII] (xu yu chu shou zhong).
But it is a well-known fact that his works gained great popularity and affected deeply a whole generation of young readers, including Lu Xun [TEXT NOT REPRODUCIBLE IN ASCII], Zhou Zuoren [TEXT NOT REPRODUCIBLE IN ASCII], Guo Moruo M W and Qian Zhongshu [TEXT NOT REPRODUCIBLE IN ASCII], who were to become the most important writers of modern Chinese literature in a couple of decades.
of Sydney) examines Western influences on Guo Moruo (1892-1978), an important modern Chinese poet who credited Longfellow as his first poetic inspiration.
The most prominent critics in contemporary Chinese literary circle, Guo Moruo, Lu Xun, and Hu Shi, have provided different interpretations of the play as well as the comments on female roles in a Chinese cultural setting.
From The May Fourth Movement to Communist Revolution: Guo Moruo and the Chinese Path to Communism.
The senior generation of calligraphers included in an early chapter titled "The Grand Tradition," which includes Shen Yinmo, Guo Moruo (1892-1978), and Mao Zedong, might just as well be labeled "classicists" and discussed in the chapter with that title that includes Sha Menghai (1900-1992) and Qi Gong (1912-).
Chinese literary society founded in 1921 by Zhang Ziping, Guo Moruo, and a number of other Chinese writers studying in Japan.
Many who remained regrouped in 1949 under the banner of "literary and artistic workers": Guo Moruo, Mao Dun, Zhou Yang, and their colleagues thus started a new cultural bureaucracy.