More modestly valued at 2,000 [pounds sterling]-3,000 [pounds sterling] is a German silver bourdaloue of 1802 by the Augsburg goldsmith Gustav Friedrich Gerich, engraved with--presumably--Jupiter seducing Io, whom he has spirited away in a cluster of cloud (Fig.
Bourdaloue, 1802, Gustav Friedrich Gerich (1726-1808), silver, length 20cm.
Neue Sachlichkeit was framed in this way by its earliest proponents, Gustav Friedrich
Hartlaub, who staged the first show on the subject, "Neue Sachlichkeit: Deutsche Malerei seit dem Expressionismus" (New Objectivity: German Painting Since Expressionism), at the Kunsthalle Mannheim in 1925, and Franz Roh, who published the first study, Nach-Expressionismus: Magischer Realismus; Probleme der neuesten europaischen Malerei (Post-Expressionism: Magic Realism; Problems of the Newest European Painting), in that same year.
Charles Ephrussi and Daniel Burckhardt, whom she mentions in this context, likewise suggested one as opposed to two journeys, whereas Jacob Burckhardt, Hermann Grimm, Gustav Friedrich
Waagen, Heinrich Wofflin, Joseph Meder, and Moritz Thausing presuppose two.
The career of the monograph peaked in the nineteenth century, and the bulk of Guercio's book is dedicated to careful readings of tomes thick and thin, remembered but little read, such as Gustav Friedrich
Waagen on the Van Eycks (1822), Carl Friedrich von Rumohr on Raphael (1831), Johann David Passavant on Raphael (1839), Herman Grimm on Michelangelo (1860), Carl Justi on Velazquez (1888), and Bernard Berenson on Lorenzo Lotto (1895).