Habanera


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Habanera

 

a Cuban dance and song derived from the European contredanse. The classic example of the habanera is S. Yradier’s “The Dove.” Popular throughout Latin America, the habanera was used by such composers as G. Bizet, in the opera Carmen, C. Debussy, in the piano composition La Soirée dans Granade, and M. Ravel, in music for voice and piano.

Habanera

Carmen’s “love is a wild bird” provokes hearers. [Fr. Opera: Bizet, Carmen, Westerman, 189–190]
References in periodicals archive ?
Tomas Singers, Habanera's first prize winners in 2010, were invited to perform in the festival.
To a midnineteenth-century theatergoer--in France, Brazil, or the United States--the word tango had an immediate association with Cuba, being a close relative of the habanera. It would be only at the turn of the century that the Argentine variant would take the world by storm (Nazareth did publish an Argentine tango in 1917, titled Nove de Julho).
Snedeker has offered a version of the famous Habanera, arranged either for five horns, or for four horns with tuba.
The Habanera Factory LLC, $8,631.32, Revenue, 14-2-00130-1, 1/17/14.
The performance will include all the famous arias (including the fiery "Habanera") and choruses, but minus the recitatives.
Singing the Habanera, Vardanean was playful, but the brisk tempo prevented the characteristic lingering seductive phrases from being expressed fully.
Among the popular pieces are the Habanera, with its sensual rhythms, and the stirring Toreador's Song.
The tracks are "Beethoven's Five Finger Play", "It Takes Some Friends", "Truck Stop", "Have You Seen the Trampoline?", "Johnny Cuckoo", "Bagpipes", "The Onomatopoeia Pizzeria", "I Was Born a Horn", "Bananas", "Habanera La La La", "Bounces Abundant", "I Changed My Mind", "Two for Tea", "Foot Notes", and "Living Inside of a Jar".
Yvonne Fontane (mezzo soprano) sang Habanera from Carmen, and after the interval Pierce and Hayes impressed with the Pearl Fishers duet, then Fontane gave a superb performance of Mon coeur s'ouvre a ta voix from Samson and Delila VERDICT: PAUL MARSTON