69) See Hanoch
Dagan, "Property Law Interpretation, the Condominium and the Problem of Collective Action" (in Hebrew) (1996) 20:1 Iyunei Mishpat 45; Van Der Merwe, European Condominium Law, supra note 6; Cornelius Van Der Merwe, "European Condominium Law: Nine Key Choices" in Lehavi, Private Communities, supra note 2, 127 [Van Der Merwe, "Nine Key Choices"].
I am grateful to Katharina Pistor, Eyal Benvenisti, Michael Heller, Hanoch
Dagan, Robert Howse, Grainne de Burca, Benedict Kingsbury, and Joseph Weiler for invaluable comments and discussion, as well as Carlos Vasquez, Itamar Mann, Greg Klass, and the participants in the 2016 Georgetown International Law Colloquium.
And, the lesson could be extended by reading one of Hanoch
Piven's books, like My Best Friend is as Sharp as a Pencil, or by using the "Faces iMake" app on smart device.
15) These words are indicative of Cain's fatherly devotion and caring for his son and also indicate that Hanoch
internalizes this behavior pattern in his interaction with others.
The Road to Relativity Hanoch
Gutfreund and JurgenRenn PRINCETON UNIV.
Dagan, Doctrinal Categories, Legal Realism, and the
Studies using DG to investigate children's sharing behavior has consistently showed that between 3 and 5 years of age increases in sharing is related to advances in age and emotional comprehension (Fehr, Bernhard, & Rockenbache, 2008; Gummerum, Hanoch
, Keller, Parsons, & Hummel, 2010; Ongley & Malti, 2014), awareness of social norms pertaining to equity (Kogut, 2012) and higher socioeconomic status (Benenson et al.
His musical influences include the localnotably Shalom Hanoch
and Arik Einsteinand the foreignDavid Bowie, Bob Dylan, and Supertramp.
Levin (Israeli playwright); Nora Ephron; artist and political activist Nadezhda Tolokonnikova (Pussy Riot)
Perhaps different property institutions, as Hanoch
Dagan calls them, are explained by reference to different interests (or "regulative principles"); (113) perhaps interests are not part of the explanation of property; (114) or perhaps a different answer is required.
The final section describes the transmutation of Hebrew drama and theatre into a secular and liberal enterprise, including the function of mythical mappings in secular drama, the theatrical need for the actualization of foreign canonic drama, and examples of productions that illustrate the Jewish nature of Israeli drama: the Itim Theatre versions of the biblical narrative on the daughter of Jephtah and Georg Buchner's Woyzeck, the Habima Theatre productions of Jean-Paul Sartre's Les Troyennes and Nissim Aloni's The American Princess, and the Cameri Theatre production of Hanoch
Levin's Sufferings of Job.
Agents: Uri Hanoch
, Douglas Elliman; John Farrell, Citi Habitats.