Unusually, paintings by Guercino and Hans Baldung
Grien were withdrawn --pre-sold to an as-yet-undisclosed good home.
Este cabello despues pertenecio a Hans Baldung
, el talentoso pintor y ciudadano de Estrasburgo.
Finally, Chapter 8 meditates on the representation of Adam and Eve, and of the fall, in Durer, Lucas van Leyden, Hans Baldung
, Rembrandt, and Paradise Lost, and suggests that Milton's poem (especially the couple's creation stories), like the paintings, directs one to reflect not on psychological motives, but on the mystery of the organic human body, and indeed on embodiment itself as--variably fortunate--fall.
German paintings from the likes of Hans Baldung
Grien depict women, stark naked, "with mirrors between their legs.
Bilder liefern wichtige Hinweise auf nicht erhaltene Musikinstrumente und vor allem auf das vergangliche Musizierereignis: Walter Salmen unternimmt einen Gang durch die erhaltenen Gemalde des Durer-Schulers Hans Baldung
"Grien" Bilder aus dem Hochaltar im Freiburger Munster (1512-1516) und aus Baldungs "Karlsruher Skizzenbuch" zeigen als Quellen fur den zeitgenossischen, durch Virdung 1511 beschriebenen Instrumentenbau u.
Rather, the works emanating from his series of performance-based pieces called Drawing Restraint, of which there are 18 numbers, or episodes (thus far), are presented in tandem with a selection of Northern Renaissance prints and paintings, most with explicit Christian iconography, from various collections in the surrounding region by the artists Hans Baldung
Grien, Lucas Cranach the Elder, Albrecht Durer, Hendrick Goltzius, Urs Graf, Martin Schongauer, and a few others.
Among the better pieces, three Hans Baldung
Grien-ish gouaches--Untitled, Friends, and Three Friends, all 1998--stood out.
In his painting Noah and the Flood, Hans Baldung
Grien gives us an ark--more strongbox than ship--around which swirl the waters of annihilation.
Entre os artistas mais famosos por suas gravuras de bruxas estao Hans Baldung
, Albrecht Durer, Abraham Saur's e Gerald d'Euphrates.
As a result, the works presented here are generally attributed, for example, to Titian, Durer, or Hans Baldung
Grien and "unidentified block cutters." Further along in the exhibit, when the names of both collaborators are documented, the partnership between these pairs of artists becomes a significant focus of the examination.
If Hans Baldung
Grien and Hans Schaufelein supposedly managed Durer's workshop while he was in Venice in 1505-07, why are they never mentioned in his letters and why did he ask Pirckheimer to take his brother Hans to Wolgemut to continue his training as a painter?
Special focus will be given to three artists who worked in both media, Albrecht Durer, Hans Baldung
Grien and Jorg Breu.