Hans Werner Richter

Also found in: Wikipedia.

Richter, Hans Werner


Born Nov. 12, 1908, in Bansin, on the island of Usedom. West German writer.

Richter was a soldier from 1940 to 1943. From 1943 to 1945 he was a prisoner of war in the USA. He helped found Group 47, an association of progressive West German writers. Richter’s novel The Defeated (1949), translated into many languages, was one of the first important antiwar works of West German literature. The novel Linus Fleck, or the Loss of Honor (1959; Russian translation, 1965) satirically depicted the anti-humane moral atmosphere in West Germany during the period of the “economic miracle.” The short-story collection False Alarm: Stories From Bansin (1970) is based on Richter’s reminiscences of his childhood and youth.


Du sollst nicht töten: Roman. Frankfurt am Main-Berlin, 1962.
Menschen in freundlicher Umgebung. Berlin, 1965.
Rache für den Ziegenbock. Vienna-Heidelberg, 1973.
In Russian translation:
Ne ubii. Moscow, 1960.


Fradkin, I. M. Literatura novoi Germanii, 2nd ed. Moscow, 1961.
Rozhnovskii, S. “Gruppa47.” Voprosy literatury, 1963, no. 3.
Mlechina, I. “Utrachennoe dostoinstvo.” V mire knig, 1966, no. 3.
Suchkov, B. “Politika i literatura.” Literaturnaia gazeta, Feb. 3, 1971.
Mentioned in ?
References in periodicals archive ?
The fiftieth anniversary was no exception; Barbara Konig, Hans Werner Richter.
The other part of Cofalla's doctorate, Der 'soziale Sinn' Hans Werner Richters is a useful but not essential essay to be read in conjunction with the letters.
Meanwhile, writing about the intellectual location of the Gruppe 47, Hans Werner Richter directly invokes its rootlessness in contemporary Germany, projecting the group's ideal political surroundings into the future and hoping that, for now, his group might act as a kind of utopian "school" in which "demokratische Elitenbildung" could be practiced with a view to future public influence (10).
Rather, when Hans Werner Richter drives away with, as we are told, "im Handgepack: Deutschlands literarische Hauptstadt," the simple accordionist accompanying him to his car and the camera's sublime move upwards from this scene of homage into the majestic branches of leafy trees tell their own very clear narrative of the group's relationship to the German Heimat.
Archival footage showing returning soldiers and bombed cities solemnly conveys the geographical location, while the intellectual background is explored in an extensive interview with Walter Kolbenhoff, as he reminisces about Hans Werner Richter and Alfred Andersch's politically-led activity on Der Ruf.