Hazlitt


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Hazlitt

William. 1778--1830, English critic and essayist: works include Characters of Shakespeare's Plays (1817), Table Talk (1821), and The Plain Speaker (1826)
References in periodicals archive ?
Partisanship wasn't just driven by true policy differences, Hazlitt reminded his readers.
Hazlitt had some time for Thomas Moore, but when Moore disparaged Rousseau, he became nothing but a target, as Hazlitt attacked Moore's intermittent religious sublime, ignoring his far more effective and typical satirical ventures.
of the specific characters of the given object, be it man, beast, or flower" (3:25) For Ruskin, as for Hazlitt before him, the particular or factual is retained in the details of the ideal.
Hazlitt establece la caminata como un acto solitario, a diferencia de quien lo hace en un salon [ahora el paseo por antonomasia se despliega en los malls, o los centros comerciales, monumentos al consumo y al ocio sin destino, necesariamente, definido].
Bin bags piled up in the garden at Hazlitt Avenue, South Shields
Hazlitt is currently using high-grade natural cork from MA Silva, but Reidy added, "I can see us eventually going to screwcaps in the future." The winery already is using screwcaps for their white vinifera wines, so the stretch is not that great.
Many applications were SharePoint-based, making it a little easier to find and bring together various elements of relevant material for client reports and other uses, but too much good knowledge was still left somewhere in the cloud where few could find it, according to Hazlitt.
von Hayek, Jacques Rueff, Henry Hazlitt, Murray Rothbard, Ludwig Lachmann, Ludwig von Mises, and William Hutt have already provided important arguments against Keynes and Keynesianism.
He provides no citation or discussion of Henry Hazlitt's The Foundations of Morality (Irvington-on-Hudson, N.Y.: Foundation for Economic Education, [1964] 1998) or Leland Yeager's Ethics as a Social Science: The Moral Philosophy of Social Cooperation (Northampton, Mass.: Edward Elgar, 2001).
In the process, salutary and symptomatic examples of the cento's use by William Hazlitt and William Wordsworth will be considered, two authors well known as major proponents, in their time, of the Romantic ideology of cultural production as original creation (McGann 91), as opposed to Augustan and postmodern theories of cultural production as imitation and bricolage.
Written by Mark Shulman and Hazlitt Krog with illustrations by Martha Newbigging, the book was originally published in 2004 by Annick Press.