Heinrich Schütz

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The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Schütz, Heinrich

 

(latinized name, Henricus Sagittarius). Born Oct. 14,1585, in Köstritz, Thuringia; died Nov. 6,1672, in Dresden. German composer, Kapellmeister, and teacher.

In 1599, Schütz became a chorister in the chapel of the landgrave of Hesse-Cassel. From 1609 to 1612 he studied composition in Venice under G. Gabrieli. Schütz was the founder of many genres of German music and played an important role in stimulating musical life in Germany. He wrote numerous religious works—including passions, oratorios, cantatas, and the German Magnificat —that paved the way for many of the innovations of J. S. Bach and G. F. Handel. Schütz drew on the achievements of Italian choral, instrumental, and stage music, as well as the traditions of German religious and folk music.

Schütz was the composer of the first German opera, Daphne (1627), and the first German ballet, Orpheus and Eurydice (1638); neither of these works has been preserved.

REFERENCE

Andreev, A. “O Genrikhe Shiuttse i teorii doklassicheskoi muzyki.” Sovetskaia muzyka, 1972, no. 11.
The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
References in periodicals archive ?
Heinrich Schutz, a leading Lutheran composer of the 17th century, wrote music that was strikingly in the idiom of Catholic composers active around 1600.
Together with Cappella Sagittariana Dresden two CDs have been released featuring the works of Heinrich Schutz and his contemporaries.
Before conducting he was a member of the Monteverdi Choir of London and Heinrich Schutz Choir.
Heinrich Schutz, the Electoral Saxon Kapellmeister in Dresden, in the dedication of his Kleine geistliche Konzerte (1639) lamented the woeful state of music and the arts "as if suffocated under military arms and trampled in the mud" (A Heinrich Schutz Reader: Letters and Documents in Translation, ed.
The featured works are the Christmas Story by Heinrich Schutz and the Lutheran Mass for Christmas by Michael Praetorius (December 19).
Memorial will be sandwiched between Two Motets, by Heinrich Schutz, and Gabriel Faure's famous Requiem - British, German and French composers united in a spirit of reconciliation.
between two covers all the main documents associated ..." with Heinrich Schutz. These include letters by and to Schutz, correspondence and other documents about him, and the printed title pages and prefatory materials to his musical compositions.
The centerpiece of these concerts will be the Story of the Birth of Jesus Christ (ca.1660) by early Baroque composer Heinrich Schutz.
For the most part, however, most of the reconstruction of central Dresden--the Hotel de Saxe where the Schumann's played, the house of Heinrich Schutz, to name just two musically significant locations in the core--all came after German reunification.
The programme - music by German composers Heinrich Schutz and Michael Praetorius - may look unfamiliar, but the choir's artistic director Christopher Monks promises some well known Christmassy melodies.
Since returning to Britain she has gained a Birmingham University masters degree in performance practice of music by the early Dresden composer Heinrich Schutz. She also works as a vocal trainer in schools around London through the Sing Up scheme which was recently featured on BBC Radio 4.
Text from Walter Benjamin's One-Way Street (1928) accompanies the garden footage; with the two men, Heinrich Schutz's lamentful motet Adjuro vos, Filiae Jerusalem, fills the audio track, as the Latin lyrics, sung by two male singers, appear translated into English in subtitles.