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Fuseli, Henry(fyo͞o`zĭlē), 1741–1825, Anglo-Swiss painter and draftsman, b. Zürich. He was known also as Johann Heinrich Fuessli or Füssli. He took holy orders but never practiced the priesthood. Fuseli went (c.1763) to England and studied in London, where Joshua Reynolds befriended him. He spent a few years in Italy, where he made the studies for his famous series of nine paintings for Boydell's Shakespeare Gallery. Returning to England, he exhibited a number of works of a grotesque and visionary type, including the celebrated Nightmare (1782). His own Milton Gallery housed a series of his paintings illustrating the poet's works. His drawings, of which he left over 800, further reveal his romantic fascination with the terrifying and weird. Fuseli admired and encouraged William Blake. Some of his lectures to the Royal Academy have been published.
See studies by F. Antal (1956), P. A. Tomory (1972), and G. Schiff (2 vol., 1974).
(originally named Johann Heinrich Füssli). Born Feb. 6, 1741, in Zürich; died Apr. 16, 1825, at Putney Hill, near London. Swiss artist and writer of the early romantic movement.
Fuseli lived chiefly in England, settling in London in 1765. From 1770 to 1778 he lived in Italy, where he moved principally in the circle of J. J. Winkelmann. In 1790, Fuseli became a member of the Royal Academy of Arts; he was a professor of painting and a curator there from 1799 to 1810 and again from 1810 to 1825. His paintings and virtuoso drawings frequently combined a classical idealization of images with impetuous gloomy fantasy, elements of the grotesque, and, at times, keen observation of life. Fuseli was also a poet, historian, and art theorist.
REFERENCESNekrasova, E. A. Romantizm v angliiskom iskusstve. Moscow, 1975. Pages 20–44.
Antal, F. Fuseli Studies. London, 1956.
Schiff, G. Johann Heinrich Füssli: 1741–1825, vols. 1–2. Zörich-Munich ,