Herman Bang

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Bang, Herman


Born Apr. 20, 1857, in Als, Denmark; died Jan. 29, 1912, in Ogden, (Utah), USA. Danish writer.

The collections of articles Realism and Realists (1879) and Critical Studies (1880) reflected Bang’s enthusiasm for French naturalism. The notion of the primacy of the fatal instinct in the lives of people underlay many of his works, as in the novels Generations Without Hope (1880, Russian translation Beznadezhno pogibaiushchie) and Phaedra (1883), which were written in an impressionistic style. His realistic novels Three Roads (1886) and Tine (1889) were devoted to the events of the Danish-Prussian war of 1864. Images of women as passive sufferers are prominent (The White House, 1898); in his later works, features of realism are also strong (the novels Mikaël, 1904, and Denied a Country, 1906).


Værker i mindeudgave, 2nd ed., vols. 1–6. Copenhagen, 1920–21.
In Russian translation:
Poln. sobr. soch., vols. 1–10. Moscow, 1910–13.


Levinson, A. Ia. Poet beznadezhnykh pokolenii. Moscow, 1912.
Jacobsen, H. Herman Bang, resignationens digter. Copenhagen, 1957.
Jacobsen, H. Den tragiske Herman Bang. Copenhagen, 1966. Dansk litteratur historie, vol. 3. Copenhagen, 1966.
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Siempre con el centro de interes en el norte de Europa, Carolina Morero Tena se detiene en la figura del escritor y periodista danes Herman Bang, testigo presencial de los cambios sociales y culturales que se dan en Escandinavia desde finales del siglo XIX--transformaciones que convierten a esta area de la mas pobre en la mas equitativa, en terminos de redistribucion social de la riqueza, de todas las regiones europeas.
Contract notice: Conversion of herman bang space - byrum and recycling.
He gives detailed analyses of Flaubert's Madame Bovary, Zola's Nana, Herman Bang's Stuck, Wilde's Portrait of Dorian Gray, and Proust's A la recherche duo temps perdu.
Other notable writers influenced by Brandes include Jens Peter Jacobsen, Henrik Pontoppidan, and Herman Bang.
Gremler's book provides an abundance of material, which shows the complexity of Mann's productive reception of this today relatively unknown Danish author While the study is tedious to read at times and the conclusions at the end of each chapter tend to be somewhat repetitive, the book is certainly a valuable contribution both to Thomas Mann and Herman Bang studies and to the study of intertextuality in general.
The time-span covered in this book is considerable: it starts with an article on the Baroque poet Zacharias Lund (1608-71) and concludes with a number of authors who wrote at the end of the nineteenth century, such as Herman Bang (1857-1912) and Jens Peter Jacobsen (1847-85).
The extent to which the latter deserves the epithet 'Dichter' is questionable, though, and most contributors restrict themselves to figures whose literary reputation is more firmly established: Rimbaud, Morike, Lichtenberg, Lenz, Gunther, Stifter, Lenau, Oscar Wilde, and Herman Bang, among others.