Hermann Sudermann


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The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Sudermann, Hermann

 

Born Sept. 30, 1857, in the small town of Matziken, in East Prussia; died Nov. 21, 1928, in Berlin. German writer.

Sudermann is one of the leading representatives of the naturalist school of German literature. His dramas Honor (1889), The Man and His Picture (1891), and The Fatherland (1893) show the moral decay of fashionable society, the disintegration of the bourgeois family, and the fate of the artist under capitalism. In his later dramas Happiness in the Corner (1896) and The Joy of Living (1902) the socially critical motifs disappear.

Sudermann’s historical and symbolist plays include Morituri (1897), the tragedy John the Baptist (1898), and the drama Children of the Shore (1910). His novels Dame Care (1887) and The Undying Past (1894), erotic story lolanthe’s Wedding (1892), and short stories were no better than bourgeois fiction.

WORKS

Dramatische Werke, vols. 1–6. Stuttgart, 1923.
Romane and Novellen, vols. 1–2. Stuttgart-Berlin, 1930.
In Russian translation:
Sobr. soch., vols. 1–7. St. Petersburg, 1906.
Sobr. dramatiticheskikh soch., 2nd ed., vols. 1–2. Moscow, 1928.

REFERENCES

Brandes, G. Literaturnye portrety. St. Petersburg, 1896.
Plekhanov, G. V. “Otryvok kriticheskoi stat’i o drame Zudermana Sredi tsvetov.” In G. V. Plekhanov—literaturnyi kritik. Moscow, 1933.
Mering, F. Literaturno-kriticheskie stat’i, vol. 2. Moscow-Leningrad, 1934.
Hermann Sudermann: Ein Dichter an der Grenzscheide zweier Welten (1857–1928). Edited by T. Duglor. Dusseldorf, 1958.

N. B. VESELOVSKAIA

The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
References in periodicals archive ?
He works hard to make the most of their contrasting acting styles and devotes a lot of space to their rival performances in Alexandre Dumas fils's ha Dame aux Camillas and as Magda, the heroine of the eponymous drama by the German playwright Hermann Sudermann, which electrified the London theatre season of 1895, when the actresses opened competing productions within days of one another.
Marriage and Divorce in the Plays of Hermann Sudermann. By KARL LEYDECKER.
Nor did the parent-child animus always originate below the great parent-child divide: in The Father and again in Hermann Sudermann's drama Home (1893) a father takes a gun to his daughter.