Herod the Great

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Herod the Great


Born circa 73 B.C.; died 4 B.C. King of Judea from 40 (actually 37) B.C.

In 47 B.C., Herod became ruler of Galilee, where he made himself notorious by cruel suppression of popular movements. Proclaimed king of Judea and “friend of Rome” by the Roman Senate in 40 B.C., he took Jerusalem in 37 with the help of Roman troops after a five-month siege and overthrew the last ruler of the Hasmonean dynasty. By the year 23, as a result of Herod’s successful military campaigns and diplomatic activity, the territory of that part of Judea subservient to Rome had been enlarged almost to the boundaries of the ancient kingdom of David. Voicing obedience to Rome and backing it in his foreign policy, Herod skillfully averted direct Roman intervention in the internal affairs of Judea. Under his rule plenary power was concentrated in the hands of the king and his private council, on which an important place was held by Greeks. The hereditary high priesthood was abolished and the role of high priest relegated to a formality; the Sanhedrin performed merely religious functions. Any discontent in the country was cruelly suppressed by an army of mercenaries.

Herod won renown for his extensive building efforts. Mistrustful and power-loving, he mercilessly annihilated all in whom he saw rivals, including members of his own family. Christian mythology ascribes to him the command, when he learned of the birth of Christ, to destroy all infants (“slaughter of the innocents”). This has made the name of Herod a common expression for a villain.


Livshits, G. M. Klassovaia bor’ba v ludee i vosstaniia protiv Rima. Chapter 7. Minsk, 1957.
Jones, A. H. M. The Herods of Judaea. Oxford, 1967.
References in periodicals archive ?
If not precisely the ranting figure described by early modern theater historians, Herod is nevertheless a tyrant who doles out brutal punishment without respect to rank, age, or evidence.
The technique of invective with negative characterisation of Herod is continued in strophe 13 directed at Herod in the form of exclamatio.
As early as Chaucer's Miller's Tale, Herod had become synonymous with a thunderous mode of delivery; hence the obvious irony in the Miller's well-known description of Absolon's theatrical pastimes: "Sumtyme to shew his lightnesse and maistrye/He pleyeth Herodes upon a scaffold hye" (25) The decibel level required of the actor who played the Shearmen and Taylor's Herod is hinted at by the line "I stampe
Herod is represented by California personal injury law firm Bisnar Chase and is seeking unspecified wrongful death damages.
Dramatically, it's a story with tremendous power, but there's a kind of irony that the one thing that most people know about Herod is probably wrong," said Peter Richardson, author of Herod: King of the Jews, Friend of the Romans, who is a professor at the University of Toronto.