Howlin' Wolf

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Howlin' Wolf,

1910–76, African-American blues singer and composer, b. White Station, Miss., as Chester Arthur Burnett. Exposed to blues performers from childhood, he sang locally and organized his first band in West Memphis, Tenn., in 1948. Darkly expressive, his growling, raspy voice, accompanied by his slide guitar and harmonica, came to wider public attention with his first hit, "Moanin' at Midnight," in 1951. Moving to Chicago, he and his friend and rival Muddy WatersWaters, Muddy,
1915–83, African-American blues singer and guitarist, b. Rolling Fork, Miss., as McKinley Morganfield. As a teenager he began singing and playing traditional country blues on harmonica and guitar, and in 1941 he was recorded by Alan Lomax for the Library of
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 became major figures in the transformation of the traditional acoustic Delta blues into the amplified, contemporary, and urban electric blues. For two decades (1955–75) he made concert tours across the United States. Like Waters, he was an important influence on the Rolling StonesRolling Stones,
English rock music group that rose to prominence in the mid-1960s and continues to exert great influence. Members have included singer Mick Jagger (Michael Phillip Jagger), 1943–; guitarists Brian Jones
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, with whom he performed in the mid-1960s, and other British rockers.


See biography by J. Segrest and M. Hoffman (2004).

Howlin’ Wolf (nickname of Chester Arthur Burnett)

(1910–76) musician; born in West Point, Miss. A blues singer, bandleader, and larger-than-life personality, he was one of the giants of post-World War II electric blues whose songs were a staple of rock's early repertoire. He toured extensively between 1955–75, including concert and television appearances with the Rolling Stones in 1965, the year after the release of his only pop hit, "Smokestack Lightning." He was inducted into the Rock 'n' Roll Hall of Fame in 1991.
References in periodicals archive ?
As with recently lauded films that explored other essential music scenes like The Wrecking Crew, Muscle Shoals, and 50 Feet From Stardom, Born In Chicago shines a light on an important moment in history, when a group of middle class suburban kids traveled to Chicago's inner city to learn the blues at the feet of legends like Muddy Waters and Howlin' Wolf, and brought it to the masses by inflecting the sounds on albums by artists such as Bob Dylan.
After that, poor black musicians like Muddy Waters and Howlin' Wolf took it to Chicago with the great urban migration of America's black population.
I became great friends with Howlin' Wolf and used to go to his house and have dinner with his family.
As a teenager I saw Muddy Waters, and I saw Howlin' Wolf, and certainly B.
And his new sound-in large part ignited by Kathleen Brennan, who since 1980 has been his wife and co-writer-drew on such disparate influences as the circus, cabaret, Kurt Weill, the field recordings of Alan Lomax, Afro-Cuban rhythms, and the tough blues of Howlin' Wolf and Captain Beefheart.
People in the band listen to a lot of things from Howlin' Wolf, Little Richard, Buddy Holly and the Crickets to Queens of the Stone Age and The Cramps - A lot of Detroit bands as well.
At London's Hammersmith Apollo, he performed numbers by Howlin' Wolf, Chuck Berry, Etta James and Muddy Waters on the Chess Records label.
Blues Painting and Beyond will feature silk-screen and fine art prints of Muddy Waters, BB King and Howlin' Wolf as well as paintings of robots.
Eleven years ago, Howie Kaplan spotted an article in the New Orleans Times-Picayune: The Howlin' Wolf, a music club in the trendy Warehouse District, was for sale.
Despite being raised on a diet of Bob Dylan, Captain Beefheart and blues legends Howlin' Wolf and John Lee Hooker, she hoped it highlighted her English roots.
05pm) Musical biopic charting the formation of Chess records in 1950s Chicago and artists who passed through its doors, including Etta James, Muddy Waters, Little Walter and Howlin' Wolf.
As the gravel-voiced Captain Beefheart, Van Vliet adopted the wail of blues legend Howlin' Wolf and melded jazz, blues and rock into a surreal mix that was never widely popular but inspired scores of later artists.