Humbert I

Humbert I,

1844–1900, king of Italy (1878–1900), son and successor of Victor Emmanuel II. A soldier by training, Humbert showed interest primarily in military affairs and foreign policy, and early expectations of his tolerance and liberalism were largely unfulfilled. Under the influence of his conservative wife, Margherita, Humbert became increasingly authoritarian, favoring the imperialistic and pro-German policies of premier Francesco Crispi and disregarding the recommendations of parliamentary leaders. His orientation helped lead to the conclusion of the Triple Alliance. Escaping two attempts on his life, he fell victim to an assassin at Monza. His son, Victor Emmanuel III, succeeded him.
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References in periodicals archive ?
HUMBERT is fancied to continue his upward curve to land the Spring Mile (2.25) at Doncaster this afternoon.
calling himself a nympholept, Humbert Humbert is engaging both
Here, Humbert is trying to shield a Byzantine mosaic pavement dating back to the sixth century.
Humbert Humbert is a lascivious character in which novel?
Both are neurotic scoundrels, yet there is a green lane in Paradise where Humbert is permitted to wander at dusk once a year; but Hell shall never parole Hermann.
Humbert Humbert is everything Nabokov seems to approve of.
Humbert is a fan of Michael Kenna, a British landscape photographer who often works in black and white.
A mechanical engineer graduate with an executive MBA from the HEC School of Management, Humbert is also a member of the Society of Petroleum Engineers.
But as Jean is prevented by her husband's arrival from retelling Uncle Ivory's "completely indecent story" about his nephew's shameful--because presumably paedophiliac--liaisons, Humbert is doomed to a prolonged and frustrating hunt for Clare Quilty, his sinister rival for Lolita's immature favours.
Therefore, the relationship in question is incestuous and Humbert is implicitly condemned by his neighbors from whom he hides his dealings with Lo and the jury to whom he defends himself.
In one scene, Humbert is gazing at a midnight cityscape, at the lights and letters over shops.
Can we really be surprised that readers have overlooked Nabokov's ironies in Lolita, when Humbert Humbert is given full and unlimited control over the rhetorical resources?