Iphis


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Iphis

Cretan maiden reared as boy because father ordered all daughters killed. [Gk. Myth.: Howe, 143]
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Algorithms for each disease were based on either individual case reported date (the date public health was first notified about the case) for algorithms based on iPHIS data or the date the specimen was received at PHOL for algorithms based on laboratory data.
Her desire for Paris suggests that she wants to stage Iphis and Anaxarete so that she can cast him in a more easily sexualized role, "a lover's part" The performance then is pornographic: the object of the performance is Domitia and the purpose is to inflame her desire.
Soprano Fflur Wyn as Iphis in the WNO''s production of Jephtha
In the past ten years, scholars have investigated primarily what the Iphis story itself can tell us about Ovidian/Roman concepts of gender and sexuality; (5) these enquiries have yielded a number of different, but often complementary, interpretations.
9,770-797), Isis brings about the marriage of two young girls, Iphis and Ianthe, by miraculously turning one of them into a young man, while she is attributed with reuniting the separated husband and wife in Xenophon of Ephesus' Ephesiaka (5,13).
For instance, John Lyly's Gallathea, based on the story of Iphis and Ianthe in Ovid's Metamorphoses, raises issues different from the conflict between male homoeroticism and marital heterosexuality charted in his chapter on Ovidian comedy.
Vertumnus, finally assuming the shape of an old woman, tells Pomona the story of Iphis and Anaxarete.
changement: lorsqu'ils en sortirent, Iphis etait parfaitement guerie; pour
This meant the creation of additional characters not found in the original account, including Storge and Zebul, Jephtha's wife and brother, and Hamor, a young soldier in love with Iphis (the name given to Jephtha's daughter, who is unnamed in the original account).
Furthermore, I find it telling that Ovid's Metamorphoses presents its Roman readers with a tortured rejection of female homoerotic desire in the course of the tale of Iphis (9.
Euadne, the wife of Kapaneus, throws herself on her husband's pyre before the eyes of her horrified father, Iphis.
The righteous include Iolaus, Iphis, Ganymede, Hyacinthus, Pygmalion, and Atalanta.