Ilya Ehrenburg

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Ehrenburg, Ilya Grigor’evich


Born Jan. 15 (27), 1891, in Kiev; died Aug. 31, 1967, in Moscow. Soviet Russian writer and public figure.

The son of an engineer, Ehrenburg took part in revolutionary Bolshevik organizations. He was arrested in 1908, and in December of the same year he emigrated to Paris. His poetry collection Verses About the Eves (1916) expressed his antipathy toward “perishing Europe” and the imperialist war. In July 1917, Ehrenburg returned to Russia. As may be seen from the book of poems Prayer for Russia (1918), he initially failed to understand the October Socialist Revolution. Later, sincerely welcoming the birth of “a different, great era,” he experienced “excitement and awe inspired by the present age” (the collection Eves, Berlin, 1921, p. 3).

From 1921 to 1924, Ehrenburg lived in Berlin and contributed to the Soviet press. In 1922 he published his philosophic-satiric novel The Extraordinary Adventures of Julio Jurenito and His Disciples, in which he gave a mosaic picture of life in Europe and Russia during World War I and the Revolution. The chief psychological conflict appearing in his works written in the 1920’s, such as The Life and Undoing of Nikolai Kurbov (1923) and The Love of Jeanne Ney (1924), is the conflict between feelings and duty and the opposition between the individual and society. He criticized capitalism and bourgeois morality and analyzed the contradictions of bourgeois culture in Thirteen Pipes (1923) and Trust D. E. (1923). Ehrenburg published the book Portraits of Russian Poets in 1922. In this period he aiso wrote the sociopsychological novels The Grabber (1925) and In Protochnyi Lane (1927).

In the early 1930’s Ehrenburg moved to the USSR. The philosophic concerns of the novel The Second Day (1933; separate edition, 1934) derive from his impressions of the great construction projects of the first five-year plan and from a reexamination of his previous skepticism; the novel is pervaded with an interest in the intellectual culture of the new man.

During the National Revolutionary War of 1936–39 in Spain (Spanish Civil War), Ehrenburg was a war correspondent for Izvestiia. A prolific writer of essays and fiction in this period, such as the short-story collection Without Armistice (1937) and the novel What a Man Needs (1937), he also wrote poetry, for example, the verse collection Fidelity (1941). In 1940 he began work on the novel The Fall of Paris (1941; State Prize of the USSR, 1942), which deals with the political, moral, and historical reasons for the defeat of France by the German forces in World War II.

With the beginning of the Great Patriotic War, Ehrenburg became widely known for his publicist writing. He exposed the policies and moral philosophy of fascism. Appealing to the conscience of nations he strengthened people’s belief in victory over fascism and their sacred feeling of hatred toward the enemy. His publicist articles appeared regularly in the newspapers Pravda, Izvestiia, and Krasnaia Zvezda and were later published in the collection The War (vols. 1–3, 1942–44). During the war Ehrenburg developed the idea for the novel The Storm (1946–47; State Prize of the USSR, 1948), which depicted the basic conflict of the age—the opposition of fascism and antifascism—through the portrayal of unrelated persons who experienced the historical cataclysm.

In the postwar years, Ehrenburg published the novel The Ninth Wave (1951–52); the novella The Thaw (1954–56), which provoked sharp debate; and essays of literary criticism such as The French Notebooks (1958) and Rereading Chekhov (1960). The most important work of his latter years was his memoirs People, Years, Life (books 1–6, 1961–65). Critics highly praised Ehrenburg’s literary portraits, but they disputed his conception of literary art and his understanding of certain events of public life.

Ehrenburg was a deputy to the third through seventh convocations of the Supreme Soviet of the USSR, and in 1950 he became vice-president of the World Peace Council. In 1952, Ehrenburg was awarded the International Lenin Prize for Strengthening Peace Among Nations. He was awarded two Orders of Lenin, two other orders, and various medals. Ehrenburg’s works have been translated into the major languages of the world.


Poln. sobr. soch., vols. 1–8. Moscow-Leningrad, 1928–29.
Sobr. soch., vols. 1–9. Moscow, 1962–66.
“Avtobiografiia.” In Sovetskie pisateli: Avtobiografii, vol. 2. Moscow, 1959.
Letopis’ muzhestva: Publitsisticheskie stat’i voennykh let. [Foreword by K. Simonov; afterword by L. Lazarev.] Moscow, 1974.


Trifonova, T. Il’ia Erenburg: Kritiko-biograficheskii ocherk. Moscow, 1952.
Trifonova, T. “I. G. Erenburg.” Isloriia russkoi sovetskoi literatury, 2nd ed., vol. 4. Moscow, 1971.
Fedin, K. “Il’ia Erenburg.” Sobr. soch., vol. 9. Moscow, 1962.
Vospominaniia ob Il’e Erenburge: Sbornik. Moscow, 1975.
Russkie sovetskie pisateli-prozaiki: Biobibliograficheskii ukazatel’, vol. 6, part 2. Moscow, 1969.


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Stalin's personal literary interests and taste played a major role: this may explain why the "cosmopolitan" Ilya Ehrenburg (II'ia Erenburg) managed to survive, whereas others less involved with the West perished during the successive waves of terror, including the trial of the Jewish Antifascist Committee.
Entre 1943 Y 1946, junto a Ilya Ehrenburg, Grossman trabajo para el comite judio antifascista en El libro negro, un testimonio documental de las masacres de judios en suelo sovietico y polaco.
In this set of complex circumstances, and in full knowledge of the deadly animosities that managed to forge alliances at the expense of Jewish communities and cultures, the extraordinary efforts of Vasily Grossman and Ilya Ehrenburg to document the Holocaust in Russia was undertaken.
The Soviet Delegation included Ilya Ehrenburg and a reluctant Boris Pasternak, whose name was not on the program and who was "brought to Paris on the last day, under duress and under guard.
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It happens that in recent years a great deal of scholarship has been published about Ilya Ehrenburg, in Russia, Israel, Europe, and the United States.