Iurii Bondarev

The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Bondarev, Iurii Vasil’evich


Born Mar. 15, 1924, in Orsk. Soviet Russian writer. Member of the CPSU since 1944. Participant in the Great Patriotic War of 1941–45. Bon-darev graduated from the Gorky Institute of Literature in 1951. He began to be published in 1949. His first collection of short stories was On the Big River (1953). In the novellas The Battalions Are Asking for Fire (1957) and The Last Salvos (1959; film of the same name, 1961) and in the novel Hot Snow (1969), Bondarev portrays the heroism of Soviet soldiers, officers, and generals and the psychology of the participants in the war. The novel The Stillness (1962; film of the same name, 1964) and its sequel, the novel The Two (1964), portrays postwar life, in which people who have gone through the war look for their niche and calling. The collection of short stories In the Late Evening (1962) and the novella Relatives (1969) are devoted to contemporary young people. Bondarev is one of the coauthors of the screenplay for the film Liberation (1970). Dramatic moral conflicts and acute social problems characterize Bondarev’s works. He has been awarded the Badge of Honor and medals.


Batal’ony prosiat ognia. Poslednie zalpy: Povesti. [Foreword by I. Kozlov.] Moscow, 1966.


Borshchagovskii, A. “Zhizn’ i smert’ kapitana Novikova.” Druzhba narodov, 1959, no. 10.
Kozlov, I. “Vechno velikoe.” Moskva, 1960, no. 1.
Kozlov, I. “Vechnyi ogon’.” Literaturnaia gazeta, Dec. 10, 1969.
Paustovskii, K. “Srazhenie v tishine.” Izvestiia, Oct. 28, 1962.
Zolotusskii, I. “Material i Mysl’.” Literaturnaia gazeta, Nov. 26, 1969.
Sevruk, V. “Talant i Muzhestvo.” Izvestiia, Dec. 8, 1969.
The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
References in periodicals archive ?
In the 'conservative' (ex-Turgenev) tradition, Solzhenitsyn has followed his Krokhotnye rasskazy of the 1960s (translated in Stories and Prose Poems (New York: Farrar, Straus, & Giroux, 1971)) with a revival of the prose miniature form (from 1997); another moralistic Russian nationalist exponent, though coming from the opposite side of the Soviet era, is Iurii Bondarev. On the 'subversive' front, Wanner points to the Conceptualists and, in particular, to the 'card catalogues' of Lev Rubinshtein-said by their author himself to represent an 'inter-genre, combining features of poetry, prose, drama, the visual arts, and performance' (p.