Ivo Andric

Andrić, Ivo

 

Born Oct. 10, 1892, in Travnik, Bosnia. Serbian writer. Born into a family of artisans.

For participating in the national liberation movement, Andrič was arrested by the Austro-Hungarian authorities and interned in 1914. He had already begun to publish in 1911. In continuing the realistic traditions of Serbian literature in his novellas of the I920’s and 1930’s, Andrić depicted man’s inner world, which is subjected to national and social contradictions. The best novels of Andrić are Bridge on the Drina (1945) and Bosnian Chronicle (1945), both devoted to the history of Bosnia. Andrić’s works are profoundly philosophical and also possess psychological depth. He is the author of literary criticism on P. Njegoŝ, V. Karadzic, the artist F. Goya, and others. Andrić won a Nobel Prize in 1961.

WORKS

Sabrana dela. vols. 1–10. Belgrade, 1964.
In Russian translation:
Most na Drine. Moscow, 1956.
Izbrannoe. Moscow, 1957.
Travnitskaia khronika. Moscow, 1958.
Prokliatyi dvor: Povesti i rasskazy. Moscow, 1967.

REFERENCES

Džadžić , P. Ivo Andrić: Esej. Belgrade, 1957.
Ivo Andrić. Belgrade, 1962.
References in periodicals archive ?
The bridge became world famous thanks to the novel "The Bridge on the Drina" by BiH novelist Ivo Andric, who was awarded the Nobel Prize in Literature in 1961 for the novel and his works have become the subject to international recognition.
**Worthless are those that need to humiliate others in order to prove their worth, former Prime Minister Nikola Gruevski wrote on his Facebook page using a famed quotation by Nobel Prize winner Ivo Andric. Gruevski is to report to the Sutor Orizari prison Thursday to begin serving his 2-year term.
Erol Rizaov in Nezavisen vesnik writes that the worry for a brain drain after the introduction of the new tax is best expressed by the Nobel winning author Ivo Andric, quoted these days on social networks: "The brain drain is not the problem, the problem is that only the idiots remain in the country".
Montenegro by Starling Lawrence (our first selection), Dictionary of the Khazars by Miodrag Pavic, The Bridge on the Drina by Ivo Andric, The Name of the Rose by Umberto Eco, My Name Is Red by Orhan Pamuk, The Girl with the Pearl Earring by Tracy Chevalier, The Master and Margarita by Mikhail Bulgakov, and The Kite Runner by Khaled Hosseini were discussed at length and became club favorites.
1936) e Ivo Andric (1892-1975) (capitulo 8), del nigeriano Ken Saro-Wiwa (1941-1995) y el costamarfileno Ahmadou Kourouma (1927-2003) (capitulo 9), de Irwing Welsh (n.
"Ivo Andric's Response to Walt Whitman." Walt Whitman Quarterly Review 33 (Summer 2015), 51-60.
John Perse, Ivo Andric have distinguished themselves in the league of Nobel Laureates.
Making a substantial impression despite a short running time, the film, structured like a mystery, centers on an Australian tourist's dawning awareness that something terrible and unacknowledged took place at the hotel she patronizes while visiting the birthplace of Nobel Prize-winning author Ivo Andric. Expect niche arthouse play and ample ancillary for this poignant memorial.
Chapters typically focus on select works by individual filmmakers and writers, including Alenka Mirkovic, Vladimir Arsenijevic, Milcho Manchevski, Ivo Andric, Jurica Pavicic, Ante Tomic, Vinko Bresan, Maja Weiss, Miroslav Krleza, and Aleksandar Hemon.
His reading in these annotated summaries is unfailingly direct, lucid, knowing, wry: Brian Stableford's "Fleury seems thoroughly nonplussed, as though surprised to find himself in a novel rather than an essay" (30); Greg Bear's Moving Mars "shares some aspects of the planetary adventure, the cosmological epic, and the information-theory romance" (65); "the fact is that SF is still largely a perimeter market, and in terms of sheer prudence one can hardly blame Atwood for not wanting to be caught in it after dark" (139); "the story takes on the flavor of Balkan magic realism, and with its implicit clash of cultures sounds almost like a minor episode from Ivo Andric's The Bridge on the Drina" (354).
"They now saw with their own eyes," Ivo Andric narrates in his classic The Bridge on the Drina (1945), "that these glorious buildings involved so much disorder and unrest, effort and expense" (Na drini cuprija 22).