Jacques Callot


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Callot, Jacques

 

Born in 1592 or 1593, in Nancy; died there Mar. 24, 1635. French engraver and graphic artist.

Beginning in 1608, Callot studied in Rome. In 1611 he began working in Florence, where he became a masterful etcher. In 1622 he returned to France. Callot’s etchings include large panoramic compositions (The Siege of Breda, 1627) and groups of small engravings (Capricci, 1617, 1623). In his work Callot reproduced reality with multiple images. He portrayed various, often bizarre, human types (the series The Beggars, 1622) and dramatically depicted contemporary events (the two series The Disasters of War, 1632-33). Callot also treated religious subjects (The Martyrdom of St. Sebastian, 1632-33), mythological subjects (primarily in his early work), and theatrical themes (the series Balli, 1622). He also is well known for his landscapes. Each of his plates (with sharp spatial jumps from the foreground to the background) depicts several episodes and crowds of active figures.

In Callot’s work the realism of keenly observed and sharply delineated details combines with grotesque expressiveness, which includes fantastic elements, to form a whole. Callot used the technique of graduated biting, which gave him particular precision of drawing, flexibility and clearness of line, richness of shadows in the foreground, and subtlety and softness of tonal transitions.

REFERENCES

Glikman, A. S. Zhak Kallo. Leningrad-Moscow, 1959.
Lieure, J. Jacques Callot, 5 vols. Paris, 1924-29.
Bechtel, E. de T. Jacques Callot. New York, 1955.

IU. K. ZOLOTOV

References in periodicals archive ?
Image: Jacques Callot (1592-1635), Killing the Fatted Calf from Life of the Prodigal Son, 1635; etching on paper; 2 3/8 by 3 1/8 inches.
Rounding out the exhibition is the pairing of a group of etchings by Jacques Callot (c.
Quacks" includes works by such well-known artists as Jacques Callot, William Hogarth, Honore Daumier, Maxfield Parrish, and Jules Cheret, as well as some highly spirited pieces created by less familiar figures.
This exhibition of works from the New Orleans Museum of Art will feature more than 80 pieces never before shown in public in the South, including works by Francisco Goya, Jacques Callot, and Jacques-Louis David.
Encountering the engravings of Jacques Callot and Rembrandt, he later subtitled his text Fantaisies a la maniere de Rembrandt et de Callot after these two artists, whose theories of etching conformed to the new and more profound antithetical dynamic present in his writing.
In this, his second season as director, Deschamps opened the evening with a salute to Jacques Callot, a well-known seventeenth-century etcher from the city of Nancy, the Ballet de Lorraine's host city.
Low's interest in this complex subject is concentrated on the figure of 17th-century French artist, Jacques Callot.
But at the Norton Museum of Art, a new exhibition entitled "Innovations in Printmaking: The Works of Jacques Callot," takes us back to the 17th century and to one of the originators of modern-day print-making.
In etchings by the seventeenth-century printmakers Jacques Callot and Romeyne de Hoogh, small-scale depictions of soldiers raping peasant women are inserted into battlefield panoramas that inventory the many depredations of war.
Durante los 2 primeros anos que los muchachos pasaron juntos, Rembrandt --influenciado por su ex maestro Lastman-- se dedico a pintar cuadros sobre episodios historicos (en 1626, por ejemplo, ejecuto los celebres Cristo expulsando a los mercaderes del templo y El profeta Bileam y el asno); pero enseguida comenzo a trabajar sobre la fisonomia humana, experimentando con sus propios rasgos y realizando gran numero de grabados con la tecnica conocida como aguafuerte, puesta de moda por el frances Jacques Callot (1592-1635).
Contract notice:scheduling, steering and coordination missions related to the restructuring operation of the half-board at the regional high school jacques callot in vandoeuvre-les-nancy (54500)
2); and precise 17th-century etchings by Jacques Callot at Christopher Mendez.