Jan Matejko


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The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Matejko, Jan

 

Born June 24, 1838, in Kraków; died there Nov. 1, 1893. Polish painter.

Matejko was trained at the School of Fine Arts in Krakow (1852-58) and at the art academies in Munich (1859) and Vienna (1860). From 1860 he worked in Krakow, where he became director of the School of Fine Arts in 1873. He painted chiefly multifigured compositions dealing with important moments in Polish history (often from the Middle Ages), which were commentaries on contemporary political events.

In Matejko’s early works intense and tragic images of patriots are contrasted with those of selfish nobles who betray the nation (Stańczyk, 1862; Skarga’s Sermon, 1864; Rejtan, 1866; all in the National Museum, Warsaw). By using allegory, Matejko protected himself against official criticism (Verdict Against Matejko, 1867; National Museum, Warsaw). His immense, well-composed battle and historical paintings of the 1870’s and 1880’s have an impressive dramatic quality, which, however, often borders on excessive emotion and tends to be overpowered by the setting and historical detail, for example, Bdthory at Pskov (1871-72), The Battle ofGrunwald, (1878, both in the National Museum, Warsaw), The Homage of Prussia (1882), and Kosciuszko at Ractawice (1888, both in the National Museum, Krakow). Some of Matejko’s later works reflect an uncritical attitude toward Polish history. He also painted landscapes and portraits (View of Bebek, Near Constantinople, 1872; Portrait of the Artist’s Children, 1879; both in the L’vov Picture Gallery) and executed a number of murals (St. Mary’s Church, Kraków, 1889-91). Matejko’s work was highly esteemed by such outstanding Russian cultural figures as V. V. Stasov and I. E. Repin.

REFERENCES

Starzinski, J. Jan Matejko. Warsaw, 1962.
Ostrovskii, G. Ian Mateiko. Moscow, 1965.
Treter, M. Matejko. L’vov-Warsaw, 1939.
Bogucki, J. Matejko. Warsaw, 1956.
The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
References in periodicals archive ?
A student of Jan Matejko, he was a professor at the Academy of Fine Arts in his home city of Krakow.
The book's presentation on the Web site of their institute was advertized with a photo of the 19th century painting "The Union of Lublin" by Jan Matejko. It presents the signing ceremony of the confederation act between Poland and Lithuania of 1569, i.e.
He grew up in the shadow of the doomed January Uprising against Russia (1863), and at the beginning of the exhibition, visitors are met by two interpretations of the martyred 'Polonia', one by Wyspianski's mentor Jan Matejko (oil on canvas, 1864), the other by Wyspianski, a stained-glass design of 1894 for the gothic cathedral in Lvov, the capital of Galicia (Fig.
Prominent here are two paintings by Jan Matejko (1838-93), who dominated cultural life in the city in later nineteenth century.
Most impressive is undoubtedly the painting "The Union of Lublin," by Polish artist Jan Matejko. This enormous painting vividly and dramatically illustrates the characters and noble rulers negotiating the treaty that, in 1569, created a single Lithuanian-Polish Commonwealth.