Jan van Scorel


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Scorel, Jan van

 

Born Aug. 1, 1495, in Scorel, present-day Schoorl, near Alkmaar; died Dec. 6, 1562, in Utrecht. Dutch painter; representative of Romanism.

Scorel received a broad humanist education and, beginning in 1516, studied painting under Mabuse in Utrecht. From 1518 to 1524 he traveled through Germany, Switzerland, and Italy and visited Palestine. He also served as curator of the classical statues of the Belvedere Court in the Vatican. Scorel’s best works are distinguished by rich color and poetic landscape backgrounds. Scorel also executed the realistic series Portraits of Pilgrims (Central Museum, Utrecht; Frans Hals Museum, Haarlem).

REFERENCES

Kuznetsov, Iu. I. “Novye proizvedeniia Iana van Skorelia.” Iskusstvo, 1958, no. 9, pp. 65–72.
Friedländer, M. J. Early Netherlandish Painting. Vol. 12: Jan van Scorel and Pieter Coeck van Aelst. Leiden-Brussels, 1975.
References in periodicals archive ?
He analyses the corpus of Roman drawings as a single body of work, discussing such aspects as the ruin landscape in Jan van Scorel's workshop, drawing ruins in post-sack Rome, the copious hand, and antiquity in 1553: ruins and self-fashioning.
In a country overstuffed with major irtists Utrecht has produced relatively few--Antonis Vlor and Jan van Scorel in the 16th century and Theo van Doesburg in the 20th are among its better-known sons.
Highlights from the museum's collection are works by the 17th-century Utrecht Caravaggists and 16th-century painter Jan van Scorel.
Metzger, and Ron Spronk, opens with two essays that introduce early Netherlandish diptychs and pendant paintings, then catalogues forty examples by such masters as Jan van Eyck, Rogier van der Weyden, Hugo van der Goes, and Jan van Scorel, and finally concludes with an appendix summarizing the technical findings for each work.
The most spectacular room of the final section of the show brings together a remarkable array of voluptuous nudes by a textbook cross-section of German, Flemish, Venetian, and expatriate painters--Lucas Cranach the Elder, Jan van Scorel, Palma il Vecchio, Titian, lo Schiavone, and Lambert Sustris.
The painting on our cover, Maria Magdalena (1530) by Jan van Scorel, is just one of the many masterpieces on view there from 13 April.
The Stadel-Kunstinstitut possesses only twenty-nine early Netherlandish paintings, yet these include masterworks by Robert Carnpin, Jan van Eyck, Rogier van der Weyden, Petrus Christus, Dirk Bouts, Hugo van der Goes, Hans Memling, Gerard David, Hieronymus Bosch, Quentin Massys, Joos van Cleve, and Jan van Scorel, among others, a veritable pantheon of the region's greatest talent.