Jaques-Dalcroze


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Jaques-Dalcroze

?mile . 1865--1950, Swiss composer and teacher: invented eurythmics
Collins Discovery Encyclopedia, 1st edition © HarperCollins Publishers 2005
References in periodicals archive ?
During Gell's years at the London School of Dalcroze Eurhythmics from 1921-1923, two of her teachers were Ethel Driver and Annie Beck, who had worked closely with Jaques-Dalcroze at Hellerau, a special school and theatre built for him in 1910 near Dresden by German philanthropists.
The techniques of solfa were taken from the principles of Emile Jaques-Dalcroze and the handsigns from Curwen in the United Kingdom.
Unpardonable are such errors as 'Jacques Dalcroze' ('Jaques-Dalcroze' was Emile's family name) and 'Elmhurst' when it should be 'Elmhirst' for the family that created Dartington Hall and to whom Chekhov owed so much.
First experiences of the work of Jaques-Dalcroze in England
Francois Delsarte, Emile Jaques-Dalcroze, and Bess Mensendieck encouraged a kind of inside-out expression that questioned the traditional nature of movement training.
There are also biographical entries on composers, musicians, and artists whose works encompass both arts, such as Emile Jaques-Dalcroze, Meredith Monk, and Alwin Nikolais.
International sources such as The School Music Review and The Times Education Supplement carried descriptive material by and about Jaques-Dalcroze for many years and subscribers could be relatively well informed of overseas educational ideas and.
Among the Europeans themselves, the French music teacher Francois Delsarte had started his explorations into body movement (even before Isadora erupted on the scene), extended by the Swiss Emile Jaques-Dalcroze. The seminal Hungarian Rudolf von Laban taught Kurt Jooss and Mary Wigman, the latter also studying under Jaques-Dalcroze.
For example, Jaques-Dalcroze, a European music educator born in 1865, developed exercises for the improvement of musical rhythm.
In Adelaide, and later in Perth, the music-movement activities known as eurhythmics, developed by the Swiss musician Jaques-Dalcroze, were also included for many years by trained Dalcroze teachers (Pope, 2005).
During the hour-long work, there are solos to the music of Massenet, Debussy, and Satie in the manner of Loie Fuller, Rita Sacchetto, Emile Jaques-Dalcroze, Grete Wiesenthal, and other early modern dancers who might have served Mata Hari as models.