Jean Rhys

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Rhys, Jean

(rēs), pseud. of

Ella Gwendoline Rees Williams,

1894–1979, English novelist, b. Dominica. Her novels written in the 1930s mercilessly exploit her own emotional life, depicting pretty, no-longer-young women who find themselves down and out in large European cities. Without work or funds, her characters must depend on men, chance encounters, or former lovers, for money to buy a hotel room, a drink, a pair of gloves. Rhys's vision is uncompromising and her literary style is spare. These early works include Quartet (1929), After Leaving Mr. Mackenzie (1931), and Good Morning, Midnight (1938). After a long retirement she published her masterpiece, Wide Sargasso Sea (1966), which drew equally on her own Caribbean childhood and on a reimagining of Charlotte Brönte's Jane Eyre from the perspective of Rochester's mad West Indian wife. It was followed by three short-story collections and Smile Please (1979), the first volume of an autobiography.


See biographies by C. Angier (1990) and L. Pizzichini (2009); F. Wyndham and D. Melly, ed., The Letters of Jean Rhys (1984); studies by T. Staley (1979), P. Wolfe (1980), D. Plante (1983), T. F. O'Connor (1986), N. R. Harrison (1988), M. L. Emery (1990), P. M. Frickey, ed. (1990), P. Le Gallez (1990), C. A. and D. Malcolm (1996), S. Sternlicht (1997), S. Maurel (1998), E. Savory (1998), S. Thomas (1999), C. Dell'Amico (2005), A. B. Simpson (2005), and C. Maslen (2009).

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In sum, Virginia Woolf, Jean Rhys, and the Aesthetics of Trauma constitutes a provocative study that contributes not only to Woolf studies but also to scholarship on Jean Rhys and to scholarship on literature and trauma.
It tells the story of Jean Rhys, who became obsessed with Charlotte Bronte's Jane Eyre.
While Jean Rhys offers some valuable and enlightening insights on the formal strategies Rhys uses, in Maurel's argument, to subvert discursive authority; the book does not adequately explain Maurel's rationale for choosing this feminist and structural critical approach over others.
Jean Rhys, Wide Sargasso Sea (1966; New York and London: Norton, 1992), 31.
Dentro del libro se destacan las figuras representativas de la literatura caribena como Jean Rhys, Jamica Kincaid y Derek Walcott, pero tambien se incluyen nombres no por menos conocidos menos importantes, como Mary Adella Wolcott y Harvey Clark.
The Failure of the Bildungsroman: Jean Rhys and Voyage in the Dark.
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Ferocious things; Jean Rhys and the politics of women's melancholia.
Linett brings together the work of Sylvia Townsend Warner, Jean Rhys, Dorothy Richardson, Djuna Barnes, and Virginia Woolf to illustrate the intersection of feminist modernism and Jewishness.
The drama by Polly Teale looks at the life of writer Jean Rhys and the parallels with the story of Jane Eyre and Mr Rochester's mad wife.
Home, Maison, Casa: The Politics of Location in Works by Jean Rhys, Marguerite Duras, and Erminia Dell'Oro By ERICA L.