Jean-Baptiste Greuze

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Greuze, Jean-Baptiste

(zhäN bätēst` gröz), 1725–1805, French genre and portrait painter. He studied at the Académie Royale and won recognition in 1755 with his Blind Man Deceived. He traveled in Italy and on his return painted a series of popular realistic pictures of a dramatic and moralizing character—The Village Bride, The Father's Curse, The Wicked Son Punished, The Broken Pitcher (all: Louvre). His artificial, often slightly prurient compositions are less interesting to modern taste than his portraits, which include one of his wife called The Milkmaid (Louvre) and those of the dauphin, Robespierre, and Napoleon (all: Versailles). A superb draftsman, he also created hundreds of fine drawings. In the Revolution Greuze lost both fortune and popularity, and died in poverty. Examples of his work are in such collections as the Louvre, London's Wallace Collection, the Edinburgh National Gallery, and New York's Metropolitan Museum of Art.


See study by A. Brookner (1972).

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Featuring 56 drawings produced over a 400-year period, the exhibition includes works by Jean-Baptiste Greuze (1725-1805), Francois Boucher (1703-1770) and Nicolas Lancret (1690-1743), among others, with the 19th century represented by choice sheets from artists such as Francois-Marius Granet (1775-1849), Theodore Rousseau (1812-1867), Jean-Louis Forain (1852-1931), Theophile Alexandre Steinlen (1859-1923), and others whose work reflects shifts in the approach to drawing in the modern era.
In 2007 Ian, who is now retired, and wife Mary sold two paintings by French artist Jean-Baptiste Greuze for pounds 800,000.
Two by 18th-century French master Jean-Baptiste Greuze, valued at pounds 18,000 to 20,000, fetched pounds 1.
Storr's title for the symposium revealed his own inclination toward a "Global Salon," and he insisted that he wanted the generative moment of Denis Diderot and Jean-Baptiste Greuze, not the hopeless pompiers furnishing state buildings in the late nineteenth century.
The Jean-Baptiste Greuze exhibit is up through Dec.
If you were to choose among Francois Boucher (1703-1770), Jean-Simeon Chardin (1699-1779), Jean-Honore Fragonard (1732-1806), and Jean-Baptiste Greuze (1725-1805), Greuze is certainly the big eighteenth-century French painter who got away.
It works splendidly with the works of the eighteenth-century French painter Jean-Baptiste Greuze, where of course Helgerson has the brilliant work of Michael Fried to draw on.
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