Jerome Kern


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Jerome Kern
Birthday
BirthplaceNew York City, New York
Died

Kern, Jerome

(kûrn), 1885–1945, American composer of musicals, b. New York City. After studying in New Jersey and New York he studied composition in Germany and England. His first success was the operetta The Red Petticoat (1912). Among the numerous musicals that followed were Leave It to Jane (1917), Sally (1920), Sunny (1925), The Cat and the Fiddle (1931), and Roberta (1933). After 1931 he wrote scores for many films, including versions of several of his stage successes. His outstanding work is Show Boat (1927), for which Oscar HammersteinHammerstein, Oscar, 2d,
1895–1960, American lyricist and librettist, b. New York City, grad. Columbia, 1916; grandson of Oscar Hammerstein. His first success was Wildflower (1923), with music by Vincent Youmans.
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 2d wrote an adaptation of Edna Ferber's novel. Kern's many famous songs include "Ol' Man River," from Show Boat, and "Smoke Gets in Your Eyes," from Roberta. He also wrote an orchestral work, A Portrait of Mark Twain (1942).

Bibliography

See biographies by G. Bordman (1980) and M. Freedman (1986).

Kern, Jerome

(1885–1945) composer; born in New York City. After a start in Broadway theaters as a song-plugger and rehearsal pianist, he began contributing songs to musical shows. With librettist Guy Bolton, he wrote his first hit show, Very Good, Eddie (1915), which brought a new sophistication to musical theater by connecting songs and story more closely than the popular shows of the time. With lyricist Oscar Hammerstein II, he wrote his most important work, Show Boat (1927), in which he further integrated lyrical text with the dramatic demands of plot and character to create the first American musical play. In 1939 he moved to Hollywood and wrote only for films. One of the most influential songwriters in American musical theater, he is credited with over 1,000 songs in 104 stage and film productions, including such standards as "Ol' Man River" (1927), "Smoke Gets in Your Eyes" (1933), and "All the Things You Are" (1939).
References in periodicals archive ?
1885: Jerome Kern. American composer, known as the father of the modern musical.
Mercer wrote more than 1,000 of America's most memorable songs in collaboration with well-known composers such as Hoagy Carmichael, Harold Arlen, Jerome Kern, Harry Warren, Henry Mancini and others.
The Jerome Kern song, Look for the Silver Lining, urges us to "always look for the silver lining, and try to find the sunny side of life."
With mostly original scores penned by Battistini and a few standards like Freddie Hubbard's Little Sunflower, Wayne Shorter's Ana Maria, and Jerome Kern's All the Things You Are, Battistini displays his profound musical eloquence on the piano, keyboards and spirited arrangements throughout the ten tracks of this new production.
Playboy reported a loss for its first quarter, and has been the object of sales speculation since interim CEO Jerome Kern said the company "was willing to listen" to offers.
Still, interim Chairman/CEO Jerome Kern terms the licensing division a "long-term growth engine for the company." Two new licensed entertainment venue deals are in the pipeline, he adds.
Interim chairman Jerome Kern said that Playboy Enterprises is open to listening to sale offers.
Stephen Banfield Jerome Kern. Yale University Press, 392 pages, $35
"Till the Clouds Roll By" purports to tell the life story of composer Jerome Kern, but boasts many of the same artists in front of and behind the camera as the Follies project.
Still, there are superb numbers, to the songs of Jerome Kern and Dorothy Fields--the comic "Pick Yourself Up," the sentimental "Way You Look Tonight." And the snowy wonderland setting of "A Fine Romance" gleams in the remastered black-and-white photography.
Show Boat, 1926, con Jerome Kern, marca la pauta de una comedia musical, casi de talante operistico, impulsora de una nacionalidad siempre al borde del dilema: el humanismo o el colonialismo.
Extolled as the "twentieth-century Michelangelo" and praised by Jerome Kern as having "made the twentieth century's only important contribution to music," Disney received honorary doctorates from Harvard, Yale, and the University of Southern California in 1938 alone (121-22).