Johan Ludvig Heiberg


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Heiberg, Johan Ludvig

 

Born Dec. 14, 1791, in Copenhagen; died Aug. 25, 1860, in Bonderup, near Ringsted. Danish writer.

Heiberg was director of the Royal Theater in Copenhagen from 1849 to 1856. He wrote the treatise The Vaudeville as a Dramatic Art Genre (1826) and other works on the theory of art. In vaudevilles, such as King Solomon and Jorgen the Hatter (1825) and Danes in Paris (1833), and in the political play April Fools (1826), Heiberg’s tone is ironic. The plots of his romantic dramas Elf Hill (1828), The Elves (1835), and Fata Morgana (1838) derive from folktales. In the 1840’s Heiberg turned to philosophic poetry and, with the comedy A Soul After Death (1841), to satire.

WORKS

Samlede skrifter, vols. 1–2. Copenhagen, 1861–62.
Poetiskeskrifter, vols. 1–3. Copenhagen, 1931–32.

REFERENCES

Gozenpud, A. A. “Datskii teatr.” In Istoriia zapadnoevropeiskogo teatra, vol. 4. Moscow, 1964.
Dansk litteratur historie, vol. 2. Copenhagen, 1965.
References in periodicals archive ?
This volume begins with a list of contributors (ix), acknowledgments (xi), and two introductory essays: Jon Stewart and Klaus Muller-Wille, "Introduction: The Heibergs and the Theater" (1-16); Finn Hauberg Mortensen, "Johan Ludvig Heiberg and the Theater: In Oehlenschlager's Limelight" (17-44).
Danish philosopher Johan Ludvig Heiberg (1791-1860) began his philosophical journal Perseus in 1837 and published it in two volumes in 1837 and 1838.
A scholar named Johan Ludvig Heiberg in 1906 studied the written remnants behind the religious words to discover the Palimpsest, finding evidence of Archimedes' systematic use of the concept of infinity in a portion of the document called the Method of Mechanical Theorems.
1) "Forklarelse" as transfiguration is a central concept in idealist aesthetics that was dominant in Kierkegaard's Denmark, primarily thanks to the Hegelian critic Johan Ludvig Heiberg. In the wild years of German idealism, F.W.J.
What intrigues Kierkegaard is that Moller suddenly interrupts the philosophical argument by a literary, mimetic narration that, according to Kierkegaard, "makes life appear much more fully." (21) The second of the four entries takes as its point of departure the Danish Hegelian Johan Ludvig Heiberg's theory of drama.
CHARLOTTE KORNERUP'S historical novel I spejlet: Roman om Johanne Luise Heiberg (In the mirror: A novel about Johanne Luis Heiberg), traces the life of Denmark's leading lady from her birth in the Norrebro district of Copenhagen in 1812 until her marriage to the literary lion of Denmark's golden age, Johan Ludvig Heiberg, in 1830.
At the start of the 20th century, a Danish mathematical historian named Johan Ludvig Heiberg made a once-in-a-lifetime find.
He was the father of the dramatist Johan Ludvig Heiberg.
The 12 selections reconstruct the philosophical debate about rationalism and supernaturalism by juxtaposing such texts as Frederick Christin Sibbern's On the Manner in Which the Law of Contradiction is Treated in the Hegelian School, Johan Ludvig Heiberg's A Remark on Logic in Reference to the Right Reverend Bishop Mystner's Treatise on Rationalism and Superstition, Mynster's title essay of course but also On the Laws of Logic, and Kierkegaard's A Favorite Game of the Hegelians.
Johan Ludvig Heiberg; philosopher, litterateur, dramaturge, and political thinking.