Johann Pachelbel


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Pachelbel, Johann

(päkhĕl`bĕl, päkh`əlbĕl'), 1653–1706, German organist and composer, b. Nuremberg. He held a number of posts as an organist in German churches, returning to his birthplace in 1695, where he became the organist at St. Sebald's Church. As a composer he is best known for his chorale preludes and variations, and is famous for the haunting and much-recorded Canon in D Major. Pachelbel is credited with significant influence on the keyboard works of Johann Sebastian BachBach, Johann Sebastian
, 1685–1750, German composer and organist, b. Eisenach; one of the greatest and most influential composers of the Western world. He brought polyphonic baroque music to its culmination, creating masterful and vigorous works in almost every musical
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. Two of Pachelbel's sons, Wilhelm Hieronymus Pachelbel, c.1685–1764, b. Erfurt, and Carl Theodorus Pachelbel, 1690–1750, were also musicians and composers; they primarily followed their father's style. The younger son emigrated to the New World c.1730 and became a well-known musical figure in Rhode Island, New York, and South Carolina, and died in Charleston.

Pachelbel, Johann

 

Baptized Sept. 1, 1653, in Nuremberg; died there Mar. 3, 1706. German composer and organist.

Pachelbel headed the Middle German school of organists and was one of the predecessors of J. S. Bach. He worked in Vienna, Eisenach, Erfurt, Stuttgart, Gotha, and Nuremberg. His composing was closely linked to his performing; of major importance were his works for organ and clavier. He also composed church cantatas and other works.

REFERENCE

Livanova, T. N. Istoriia zapadnoewopeiskoi muzyki do 1789 g. Moscow-Leningrad, 1940. Pages 310–11, 319–20.
References in periodicals archive ?
musician Coolio sampled Johann Pachelbel's "Canon in D Major." Rapper Xzibit based his "Symphony in X Major" on Johann Sebastian Bach's "Brandenburg Concerto No.3." It is not entirely surprising then, that traditional Arab music also lends itself to the form.
El programa comprendio principalmente obras renacentistas y barrocas: una Suite de danzas, de Tylman Susato (1510-1570?); una sinfonia proveniente de La reina de las hadas que Henry Purcel (1659-1695) compuso en 1692; Nimrod, una de las Variaciones Enigma, del ingles sir Edward Elgar (18571934); Canzon primi toni y Canzon duoecimi toni, de Giovanni Gabrieli; Canon, de Johann Pachelbel (1653-1706), y una serie de Danzas antiguas de Claude Gervaise (1540-1560) y Pierre D'Attaignant (1494?-1552).
Would Johann Pachelbel be happy to have his Canon & Gigue advertising woolly jumpers or Irish butter, or would Delibes be happy for his Dome Epais (Flower Duet) to be associated with British Airways?
Warm and full in the Hall Two acoustics, the Newcastle baroque strings started brightly with Arcangelo Corelli's Christmas Concerto, the slow middle movement strikingly similar to a better known piece by Corelli's contemporary, Johann Pachelbel, played later in the programme.
But Pete has claimed he wrote many of their hits, even saying he stole German composer Johann Pachelbel's classical piece Canon for I Should Be So Lucky.
The song was written by Peter Hooton (words)and Steve Grimes (music),and inspired by former Labour leader Michael Foot,classical composer Johann Pachelbel and a game of football played between British and German soldiers on Christmas Day,1914.
Although my knowledge of classical music is limited, I can't help thinking about planetariums whenever I hear Johann Pachelbel's Canon in D.
Por otra parte, de entre los canones mas famosos, destaca el sublime Canon de Johann Pachelbel (1653-1706).
According to Waterman, the classical giant who inspired most bland modern pap was Johann Pachelbel, whose Canon in D was stolen for Kylie Minogue's I Should Be So Lucky and The Pet Shop Boys' Go West.
Discipulo de Johann Pachelbel (autor del famoso Canon), Johann Christoph era un maestro competente: sus 5 hijos alcanzaron cierto renombre como interpretes y su hermano menor pronto dominarla las piezas mas dificiles para clavicordio.
The program opened with Continuo (1971), set to the familiar Canon in D by Johann Pachelbel, a lyric piece created by Tudor in the last decades of his career.
Organists of the time had more need to improvise than to play set pieces (although we should remember that Johann Pachelbel's contract at Erfurt required him to write out his chorale preludes rather than improvise them - one wonders what experience had prompted that stipulation).